Second Assistant Director
'Mindhunter' Episode #2.1 (2019)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Second Assistant Director
'Mindhunter' Episode #2.3 (2019)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Second Assistant Director
'Mindhunter' Episode #2.2 (2019)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Second Assistant Director: New York Shoot
'Narcos' The Kingpin Strategy (2017)
Directed by: Andrés Baiz
Cinematography by: Juan Carlos Gil
Edited by: Matthew Colonna
Second Assistant Director - 3 Episodes, 2019
Mindhunter (2017)
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Second Assistant Director: New York Shoot
'Narcos' The Cali KGB (2017)
Directed by: Andrés Baiz
Cinematography by: Juan Carlos Gil
Edited by: Trevor Baker
Second Assistant Director: New York Shoot
'Narcos' Follow the Money (2017)
Directed by: Gabriel Ripstein
Edited by: Chris McCaleb
Second Assistant Director: New York Shoot
'Narcos' MRO (2017)
Directed by: Josef Kubota Wladyka
Cinematography by: Juan Carlos Gil
Second Assistant Director: New York
Southpaw (2015)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Second Assistant Director - 5 Episodes, 2017
Narcos (2015)
Directed by: Andrés Baiz, Josef Kubota Wladyka, Fernando Coimbra, Gerardo Naranjo, Guillermo Navarro, José Padilha, Gabriel Ripstein
Cinematography by: Adrian Teijido, Mauricio Vidal, Carmen Cabana, Juan Carlos Gil, Lula Carvalho, Luis David Sansans
Second Second Assistant Director
Annie (2014)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
Additional Second Assistant Director
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Additional Second Assistant Director , Set Production Assistant
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Production Assistant: Pittsburgh
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Production Assistant
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Additional Second Assistant Director: New York, Production Assistant: New York
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Production Assistant
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Production Assistant
'Royal Pains' Mano a Mano (2010)
Directed by: Matthew Penn
Cinematography by: David S. Tuttman
Edited by: Charles McClelland
Production Assistant
'Royal Pains' Spasticity (2010)
Directed by: Constantine Makris
Cinematography by: David S. Tuttman
Edited by: Deborah Moran
Production Assistant
'Royal Pains' Open Up Your Yenta Mouth and Say Ah (2010)
Directed by: Ken Whittingham
Cinematography by: David S. Tuttman
Edited by: Deborah Moran
Production Assistant
'Royal Pains' Big Whoop (2010)
Directed by: Michael W. Watkins
Cinematography by: David S. Tuttman
Edited by: Charles McClelland
Production Assistant
'Royal Pains' Whole Lotto Love (2010)
Directed by: Tawnia McKiernan
Cinematography by: David S. Tuttman
Edited by: Daniel A. Valverde
Production Assistant
'Royal Pains' Frenemies (2010)
Directed by: Wendey Stanzler
Cinematography by: David S. Tuttman
Edited by: Elizabeth Merrick
Production Assistant
'Royal Pains' The Hankover (2010)
Directed by: Jay Chandrasekhar
Cinematography by: David S. Tuttman
Edited by: Charles McClelland
Production Assistant
'Royal Pains' Comfort's Overrated (2010)
Directed by: Ed Fraiman
Cinematography by: David S. Tuttman
Edited by: Daniel A. Valverde
Production Assistant
'Royal Pains' In Vino Veritas (2010)
Directed by: Michael W. Watkins
Cinematography by: David S. Tuttman
Edited by: Deborah Moran
Production Assistant
'Royal Pains' Keeping the Faith (2010)
Directed by: Dennis Smith
Cinematography by: David S. Tuttman
Edited by: Charles McClelland
Production Assistant
'Royal Pains' Lovesick (2010)
Directed by: Allison Liddi-Brown
Cinematography by: David S. Tuttman
Edited by: Daniel A. Valverde
Production Assistant
'Royal Pains' Medusa (2010)
Directed by: Matthew Penn
Cinematography by: David S. Tuttman
Edited by: Charles McClelland
Set Production Assistant: Re-shoots
When in Rome (2010)
Directed by: Mark Steven Johnson
Cinematography by: John Bailey
Production Assistant
How Do You Know (2010)
Directed by: James L. Brooks
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Production Assistant - 6 Episodes, 2009
Bored to Death (2009)
Directed by: Michael Lehmann, Adam Bernstein, Alan Taylor, Tristram Shapeero, Paul Feig, Tucker Gates, Nicole Holofcener, Troy Miller
Cinematography by: Vanja Cernjul
Cameras: ARRI ALEXA Camera, ARRIFLEX D-21 Camera
On Set Production Assistant
The Lovely Bones (2009)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Production Assistant
The Taking of Pelham 123 (2009)
Directed by: Tony Scott
Cinematography by: Tobias A. Schliessler
Edited by: Chris Lebenzon
Production Assistant
'Bored to Death' The Case of the Stolen Sperm (2009)
Directed by: Nicole Holofcener
Cinematography by: Vanja Cernjul
Edited by: Meg Reticker
Production Assistant
'Bored to Death' The Case of the Lonely White Dove (2009)
Directed by: Paul Feig
Cinematography by: Vanja Cernjul
Edited by: Meg Reticker
Production Assistant
'Bored to Death' The Case of the Beautiful Blackmailer (2009)
Directed by: Adam Bernstein
Cinematography by: Vanja Cernjul
Edited by: Ken Eluto
Production Assistant
'Law & Order' Anchors Away (2009)
Directed by: Alex Chapple
Cinematography by: William Klayer
Edited by: Michael Schweitzer
Production Assistant
'Bored to Death' The Case of the Stolen Skateboard (2009)
Directed by: Tucker Gates
Cinematography by: Vanja Cernjul
Edited by: Meg Reticker
Production Assistant
'Bored to Death' The Case of the Missing Screenplay (2009)
Directed by: Michael Lehmann
Cinematography by: Vanja Cernjul
Edited by: Ken Eluto
Production Assistant
'Bored to Death' The Alanon Case (2009)
Directed by: Alan Taylor
Cinematography by: Vanja Cernjul
Edited by: Malcolm Jamieson
Production Assistant - 12 Episodes, 2010
Royal Pains (2009)
Directed by: Michael Rauch, Matthew Penn, Jay Chandrasekhar, Emile B. Levisetti, Constantine Makris, Michael W. Watkins, Ed Fraiman, Mark Feuerstein, Allison Liddi-Brown, Don Scardino, Jace Alexander, Tawnia McKiernan, Janice Cooke, Paulo Costanzo, Joe Collins, Dennie Gordon, Ken Whittingham, Charles McClelland, Ken Girotti, Bronwen Hughes, Eric Laneuville, Dennis Smith, Wendey Stanzler, Tricia Brock, Kevin Dowling, Lara Shapiro, Michael B. Silver, Brendan Walsh
Cinematography by: Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary
Edited by: Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau
Cameras: Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Production Assistant
'Law & Order' Talking Points (2007)
Directed by: Matthew Penn
Cinematography by: William Klayer
Edited by: Kevin Krasny
Production Assistant
'Law & Order' Captive (2007)
Directed by: Michael W. Watkins
Cinematography by: David S. Tuttman
Edited by: Randy Jon Morgan
Production Assistant
'Law & Order' Over Here (2007)
Directed by: Constantine Makris
Cinematography by: William Klayer
Edited by: Michael Schweitzer
Production Assistant
'Law & Order' The Family Hour (2007)
Directed by: Matthew Penn
Cinematography by: David S. Tuttman
Edited by: Kevin Krasny
Production Assistant
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Production Assistant
'Law & Order' Corner Office (2006)
Directed by: Joan Stein Schimke
Cinematography by: David S. Tuttman
Edited by: Kevin Krasny
Production Assistant
'Law & Order' Deadlock (2006)
Directed by: Alex Chapple
Cinematography by: William Klayer
Edited by: Michael Schweitzer
Set Production Assistant
The Hottest State (2006)
Directed by: Ethan Hawke
Cinematography by: Christopher Norr
Edited by: Adriana Pacheco
Production Assistant - 7 Episodes, 2006-2009
Law & Order (1990)
Directed by: Constantine Makris, Edwin Sherin, Jace Alexander, David Platt, Richard Dobbs, Matthew Penn, Martha Mitchell, Don Scardino, Christopher Misiano, Jean de Segonzac, James Quinn, Arthur W. Forney, Lewis Gould, Michael Pressman, E.W. Swackhamer, Alex Hall, Daniel Sackheim, Alex Chapple, Jim McKay, Fred Gerber, Gloria Muzio, Fred Berner, James Frawley, Vincent Misiano, Darnell Martin, Michael W. Watkins, Vern Gillum, Stephen Wertimer, John Whitesell, Steven Robman, Dann Florek, Brian Mertes, Marc Levin, Marisol Adler, Mario Van Peebles, Milena Govich, Charles Correll, Gwen Arner, James Hayman, Gilbert M. Shilton, Steve Shill, Tim Hunter, Michael Dinner, William Klayer, Rose Troche, Roger Young, Yangzom Brauen, Bethany Rooney, Martin Davidson, Michael Fresco, John Patterson, Steve Cohen, Aaron Lipstadt, Kristoffer Tabori, Bill D'Elia, Peter Levin, Gilbert Moses, Gabrielle Beaumont, Bruce Seth Green, Helaine Head, Marc Laub, Dan Karlok, Adam Davidson, J. Ranelli, Paris Barclay, Rosemary Rodriguez, Eric Stoltz, Rick Wallace, Adam Bernstein, Tony Goldwyn, Joan Stein Schimke, Karen Gaviola, Sam Weisman, John David Coles, Allen Coulter, Alan Taylor, Dean White, Christopher Zalla, Norberto Barba, Ernest R. Dickerson, Joshua Marston, Rene Balcer, John Behring, Carlos Bernard, Sarah Boyd, Heather Cappiello, David Grossman, Eriq La Salle, Elisabeth Röhm, Carl Weathers, Timothy Busfield, Nestor Carbonell, Joy Lane, Rachel Leiterman
Cinematography by: Constantine Makris, William Klayer, John Beymer, David S. Tuttman, Christopher Misiano, Richard Dobbs, Manuel Billeter, Ernest R. Dickerson, John Thomas, Peter Reniers, Michael F. Barrow, Craig DiBona, Geoffrey Erb, Alec Hirschfeld
Edited by: Michael Schweitzer, Chris Brookshire, Neil Felder, David Post, Monty DeGraff, Toni Morgan, Michael Kewley, Billy Fox, David Siegel, Mark Newman, Leon Ortiz-Gil, Drake Silliman, Randy Jon Morgan, Kevin Krasny, Laurie Grotstein, Micky Blythe, Kurt Courtland, Michael D. Ornstein, Scott Vickrey, Leslie Gaulin, Janice Hampton, Philip Carr Neel, Arthur W. Forney, Devon Greene, Douglas Ibold, Jim Stewart, Edward R. Abroms, Adam Wolfe, Eric A. Sears, John Refoua, John A. Keris