Michael Beaudin

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Zoolander 2 | ShotOnWhat?

First Assistant Accountant

Zoolander 2 (2016)

Directed by: Ben Stiller

Cinematography by: Dan Mindel

Edited by: Greg Hayden

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

San Andreas | ShotOnWhat?

First Assistant Accountant

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Furious 6 | ShotOnWhat?

First Assistant Accountant: Canary Islands

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Wrath of the Titans | ShotOnWhat?

First Assistant Accountant

Wrath of the Titans (2012)

Directed by: Jonathan Liebesman

Cinematography by: Ben Davis

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

The Rite | ShotOnWhat?

First Assistant Accountant

The Rite (2011)

Directed by: Mikael Håfström

Cinematography by: Ben Davis

Edited by: David Rosenbloom

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision G100 100 mm T2.6 Lens

Clash of the Titans | ShotOnWhat?

First Assistant Accountant

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hereafter | ShotOnWhat?

Accountant: UK, London

Hereafter (2010)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Dark Knight | ShotOnWhat?

First Assistant Accountant

The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

War of the Worlds | ShotOnWhat?

First Assistant Accountant

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Ocean's Twelve | ShotOnWhat?

First Assistant Accountant

Ocean's Twelve (2004)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Dumb and Dumberer: When Harry Met Lloyd | ShotOnWhat?

Second Assistant Accountant

Dumb and Dumberer: When Harry Met Lloyd (2003)

Directed by: Troy Miller

Cinematography by: Anthony B. Richmond

Edited by: Lawrence Jordan

The Shipping News | ShotOnWhat?

Second Assistant Accountant

The Shipping News (2001)

Directed by: Lasse Hallström

Cinematography by: Oliver Stapleton

Edited by: Andrew Mondshein

Vanilla Sky | ShotOnWhat?

Second Assistant Accountant

Vanilla Sky (2001)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Mark Livolsi

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Gladiator | ShotOnWhat?

Assistant Accountant: Malta

Gladiator (2000)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

October Sky | ShotOnWhat?

Assistant Accountant

October Sky (1999)

Directed by: Joe Johnston

Cinematography by: Fred Murphy

Edited by: Robert Dalva

The Jackal | ShotOnWhat?

Assistant Accountant

The Jackal (1997)

Directed by: Michael Caton-Jones

Cinematography by: Karl Walter Lindenlaub

Edited by: Jim Clark

The Frighteners | ShotOnWhat?

Assistant Accountant

The Frighteners (1996)

Directed by: Peter Jackson

Cinematography by: John Blick, Alun Bollinger

Edited by: Jamie Selkirk

Terminal Velocity | ShotOnWhat?

Assistant Production Accountant

Terminal Velocity (1994)

Directed by: Deran Sarafian

Cinematography by: Oliver Wood

Edited by: Peck Prior, Frank J. Urioste

Holy Matrimony | ShotOnWhat?

First Assistant Accountant

Holy Matrimony (1994)

Directed by: Leonard Nimoy

Cinematography by: Bobby Bukowski

Edited by: Peter E. Berger

The Cemetery Club | ShotOnWhat?

Second Assistant Accountant

The Cemetery Club (1993)

Directed by: Bill Duke

Cinematography by: Steven Poster

Edited by: John Carter

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

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