Jeanine Wilson

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Vfx Accountant

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Vfx Accountant

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Doctor Strange | ShotOnWhat?

Vfx Accountant

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Guardians of the Galaxy | ShotOnWhat?

Vfx Accountant

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Thor: The Dark World | ShotOnWhat?

Vfx Accountant

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Iron Man Three | ShotOnWhat?

The Avengers | ShotOnWhat?

Vfx Accountant

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Case 39 | ShotOnWhat?

First Assistant Accountant: Reshoots

Case 39 (2009)

Directed by: Christian Alvart

Cinematography by: Hagen Bogdanski

Edited by: Mark Goldblatt

The Ruins | ShotOnWhat?

First Assistant Accountant: Reshoots

The Ruins (2008)

Directed by: Carter Smith

Cinematography by: Darius Khondji

Edited by: Jeff Betancourt

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Team America: World Police | ShotOnWhat?

First Assistant Auditor

Team America: World Police (2004)

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Dickie Roberts: Former Child Star | ShotOnWhat?

First Assistant Accountant

Dickie Roberts: Former Child Star (2003)

Directed by: Sam Weisman

Cinematography by: Thomas E. Ackerman

Edited by: Roger Bondelli

Hard Ball | ShotOnWhat?

First Assistant Accountant

Hardball (2001)

Directed by: Brian Robbins

Cinematography by: Tom Richmond

Edited by: Ned Bastille

Wonder Boys | ShotOnWhat?

First Assistant Accountant

Wonder Boys (2000)

Directed by: Curtis Hanson

Cinematography by: Dante Spinotti

Edited by: Dede Allen

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Varsity Blues | ShotOnWhat?

First Assistant Accountant

Varsity Blues (1999)

Directed by: Brian Robbins

Cinematography by: Chuck Cohen

Edited by: Ned Bastille

A Night at the Roxbury | ShotOnWhat?

First Assistant Accountant

A Night at the Roxbury (1998)

Directed by: John Fortenberry

Cinematography by: Francis Kenny

Edited by: Jay Kamen

Cameras: Panavision Cameras

Lenses: Panavision Lenses

A Very Brady Sequel | ShotOnWhat?

Assistant Production Accountant

A Very Brady Sequel (1996)

Directed by: Arlene Sanford

Cinematography by: Mac Ahlberg

Edited by: Anita Brandt Burgoyne

Jade | ShotOnWhat?

First Assistant Accountant

Jade (1995)

Directed by: William Friedkin

Cinematography by: Andrzej Bartkowiak

Edited by: Augie Hess

Beverly Hills Cop III | ShotOnWhat?

First Assistant Accountant

Beverly Hills Cop III (1994)

Directed by: John Landis

Cinematography by: Mac Ahlberg

Edited by: Dale Beldin

The Firm | ShotOnWhat?

Assistant Production Accountant

The Firm (1993)

Directed by: Sydney Pollack

Cinematography by: John Seale

Edited by: Fredric Steinkamp, William Steinkamp

Cameras: Panavision Cameras

Harlem Nights | ShotOnWhat?

Assistant Production Auditor

Harlem Nights (1989)

Directed by: Eddie Murphy

Cinematography by: Woody Omens

Edited by: Alan Balsam, George Bowers

Pet Sematary | ShotOnWhat?

Accountant

Pet Sematary (1989)

Directed by: Mary Lambert

Cinematography by: Peter Stein

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Cameras

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