Re-recording Mixer / Sound Designer
The Drop (2014)
Directed by: Michaël R. Roskam
Cinematography by: Nicolas Karakatsanis
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Re-recording Mixer / Supervising Sound Editor
Non-Stop (2014)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Jim May
Re-recording Mixer / Supervising Sound Editor
Redemption (2013)
Re-recording Mixer / Supervising Sound Editor
Admission (2013)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Cameras: ARRI ALEXA Studio Camera
Re-recording Mixer / Supervising Sound Editor
Being Flynn (2012)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Re-recording Mixer / Supervising Sound Editor
Cloned: The Recreator Chronicles (2012)
Directed by: Gregory Orr
Cinematography by: David Tumblety
Edited by: Scott Martin
Cameras: Red One Camera
Re-recording Mixer
Bachelorette (2012)
Directed by: Leslye Headland
Cinematography by: Doug Emmett
Edited by: Jeffrey Wolf
Cameras: Red One MX Camera
Re-recording Mixer / Supervising Sound Editor
Moneyball (2011)
Directed by: Bennett Miller
Cinematography by: Wally Pfister
Edited by: Christopher Tellefsen
Re-recording Mixer / Supervising Sound Editor
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Re-recording Mixer / Supervising Sound Editor
Jack Goes Boating (2010)
Directed by: Philip Seymour Hoffman
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Lenses: Cooke S4 Lenses
Re-recording Mixer
Rabbit Hole (2010)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Joe Klotz
Cameras: Red One Camera
Supervising Sound Editor / Supervising Sound Mixer
Julie & Julia (2009)
Directed by: Nora Ephron
Cinematography by: Stephen Goldblatt
Edited by: Richard Marks
Re-recording Mixer / Supervising Sound Editor
Doubt (2008)
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Sound Editor
Living in Emergency (2008)
Directed by: Mark N. Hopkins
Cinematography by: Sebastian Ischer
Re-recording Mixer / Supervising Sound Editor
Charlie Wilson's War (2007)
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Re-recording Mixer / Supervising Sound Editor
Perfect Stranger (2007)
Directed by: James Foley
Cinematography by: Anastas N. Michos
Edited by: Christopher Tellefsen
Re-recording Mixer
The Nanny Diaries (2007)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Re-recording Mixer / Supervising Sound Editor
Hollywoodland (2006)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Sound Editor
God Grew Tired of Us (2006)
Re-recording Sound Mixer / Supervising Sound Editor
Capote (2005)
Directed by: Bennett Miller
Cinematography by: Adam Kimmel
Edited by: Christopher Tellefsen
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Sound Designer
The Ice Harvest (2005)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Edited by: Lee Percy
Sound Designer
Bewitched (2005)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Tia Nolan
Re-recording Mixer / Sound Supervisor
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Re-recording Mixer
American Splendor (2003)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Editing System: Avid Editing System
Re-recording Mixer / Supervising Sound Editor
The Truth About Charlie (2002)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Re-recording Mixer / Supervising Sound Editor
Murder by Numbers (2002)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Re-recording Mixer / Supervising Sound Editor
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Re-recording Mixer / Supervising Sound Editor
What Planet Are You From? (2000)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Richard Marks
Cameras: Panavision Cameras
Re-recording Mixer
Gloria (1999)
Directed by: Sidney Lumet
Cinematography by: David Watkin
Edited by: Tom Swartwout
Re-recording Mixer / Supervising Sound Editor
Bowfinger (1999)
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Re-recording Mixer / Supervising Sound Editor
Man on the Moon (1999)
Directed by: Milos Forman
Cinematography by: Anastas N. Michos
Supervising Sound Editor
The Deep End of the Ocean (1999)
Directed by: Ulu Grosbard
Cinematography by: Stephen Goldblatt
Edited by: John Bloom
Re-recording Mixer / Supervising Sound Editor
Primary Colors (1998)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Supervising Sound Editor
Desperate Measures (1998)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer / Supervising Sound Editor
You've Got Mail (1998)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
Sound Effects Designer
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Supervising Sound Editor
The Devil's Own (1997)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Supervising Sound Editor
The Birdcage (1996)
Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Editor
Kiss of Death (1995)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Cameras
Supervising Sound Editor
The Indian in the Cupboard (1995)
Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford
Sound Effects Editor
Oleanna (1994)
Directed by: David Mamet
Cinematography by: Andrzej Sekula
Edited by: Barbara Tulliver
Additional Sound Effects
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Re-recording Mixer / Supervising Sound Editor
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Sound Effects Editor
Mad Dog and Glory (1993)
Directed by: John McNaughton
Cinematography by: Robby Müller
Supervising Sound Editor
The Dutch Master (1993)
Directed by: Susan Seidelman
Cinematography by: Maryse Alberti
Edited by: Mona Davis
Supervising Sound Editor
Consenting Adults (1992)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Edited by: Sam O'Steen
Cameras: Panavision Panaflex Platinum Camera
Sound Designer
Shining Through (1992)
Directed by: David Seltzer
Cinematography by: Jan de Bont
Edited by: Craig McKay
Fx Editor
The Silence of the Lambs (1991)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Sound Effects Editor
Jungle Fever (1991)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Samuel D. Pollard
Supervising Foley Editor
Goodfellas (1990)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Supervising Sound Editor
Presumed Innocent (1990)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: Evan A. Lottman
Foley Supervisor
Miller's Crossing (1990)
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
Supervising Sound Editor
Little Monsters (1989)
Directed by: Richard Greenberg
Cinematography by: Dick Bush
Edited by: Patrick McMahon
Foley Artist / Foley Supervisor
The Last Temptation of Christ (1988)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX Camera
Foley Editor
White Water Summer (1987)
Directed by: Jeff Bleckner
Cinematography by: John Alcott
Edited by: David Ray
Supervising Sound Editor
Orphans (1987)
Directed by: Alan J. Pakula
Cinematography by: Donald McAlpine
Edited by: Evan A. Lottman
Sound Editor
The Color of Money (1986)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRI Cameras
Foley Editor
Maximum Overdrive (1986)
Directed by: Stephen King
Cinematography by: Armando Nannuzzi
Edited by: Evan A. Lottman
