Ben Collinson

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Alien: Covenant | ShotOnWhat?

Sound Maintenance

Alien: Covenant (2017)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

All the Money in the World | ShotOnWhat?

Sound Maintenance

All the Money in the World (2017)

Movie

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Super Speed Lenses

Jason Bourne | ShotOnWhat?

Sound Assistant

Jason Bourne (2016)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Mr. Turner | ShotOnWhat?

Boom Operator

Mr. Turner (2014)

Directed by: Mike Leigh

Cinematography by: Dick Pope

Edited by: Jon Gregory

Cameras: ARRI ALEXA Plus Camera, Canon EOS-C500 Camera

Lenses: Cooke Speed Panchro Lenses

Captain Phillips | ShotOnWhat?

Audio Technician

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Jack the Giant Slayer | ShotOnWhat?

Sound Assistant: Additional Photography

Jack the Giant Slayer (2013)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

World War Z | ShotOnWhat?

Sound Assistant

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

My Week with Marilyn | ShotOnWhat?

Sound Assistant: Additional Photography

My Week with Marilyn (2011)

Directed by: Simon Curtis

Cinematography by: Ben Smithard

Edited by: Adam Recht

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Salmon Fishing in the Yemen | ShotOnWhat?

Boom Operator: Dailies

Salmon Fishing in the Yemen (2011)

Directed by: Lasse Hallström

Cinematography by: Terry Stacey

Edited by: Lisa Gunning

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Kill List | ShotOnWhat?

Boom Operator

Kill List (2011)

Directed by: Ben Wheatley

Cinematography by: Laurie Rose

Edited by: Robin Hill, Amy Jump, Ben Wheatley

Cameras: Red One Camera

It's a Wonderful Afterlife | ShotOnWhat?

Sound Assistant

It's a Wonderful Afterlife (2010)

Directed by: Gurinder Chadha

Cinematography by: Dick Pope

Edited by: Oral Norrie Ottey

Freight | ShotOnWhat?

Additional Boom Operator

Freight (2010)

Directed by: Stuart St. Paul

Cinematography by: Carl Summerscales

Edited by: Matthew Bate

Another Year | ShotOnWhat?

Sound Assistant

Another Year (2010)

Directed by: Mike Leigh

Cinematography by: Dick Pope

Edited by: Jon Gregory

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Clash of the Titans | ShotOnWhat?

Sound Assistant: Second Unit

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Looking for Eric | ShotOnWhat?

Sound Assist

Looking for Eric (2009)

Directed by: Ken Loach

Cinematography by: Barry Ackroyd

Edited by: Jonathan Morris

The Imaginarium of Doctor Parnassus | ShotOnWhat?

Cableman: London

The Imaginarium of Doctor Parnassus (2009)

Directed by: Terry Gilliam

Cinematography by: Nicola Pecorini

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Ultra Prime Lenses

Angus, Thongs and Perfect Snogging | ShotOnWhat?

Sound Assist

Angus, Thongs and Perfect Snogging (2008)

Directed by: Gurinder Chadha

Cinematography by: Dick Pope

Edited by: Justin Krish

Happy-Go-Lucky | ShotOnWhat?

Sound Assistant

Happy-Go-Lucky (2008)

Directed by: Mike Leigh

Cinematography by: Dick Pope

Edited by: Jim Clark

Cameras: ARRI ARRIFLEX Series Cameras

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