Matthieu Presti

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Digital Effects Supervisor: DNEG

Nyad (2023)

Motion Picture

Directed by: Jimmy Chin, Elizabeth Chai Vasarhelyi

Cinematography by: Claudio Miranda

Edited by: Christopher Tellefsen

Cameras: Sony CineAlta VENICE 2 Camera, Sony ILME-FX3 Camera

Lenses: Fujinon Lenses, Zeiss Master Prime Lenses

Fx Supervisor: DNEG

Glass Onion (2022)

Motion Picture

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Zeiss Supreme Prime Series Lenses

Cg Supervisor: DNEG

Ambulance (2022)

Motion Picture

Directed by: Michael Bay

Cinematography by: Roberto De Angelis

Edited by: Doug Brandt, Pietro Scalia, Calvin Wimmer

Cameras: Red Epic Helium Camera, Red Komodo Camera

Lenses: Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Senior Effects Technical Director: Framestore

The Aeronauts (2019)

Motion Picture

Directed by: Tom Harper

Cinematography by: George Steel

Edited by: Mark Eckersley

Cameras: Red Monstro 8K Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses

Knights of the Roundtable: King Arthur | ShotOnWhat?

Effects Technical Director: Framestore

King Arthur: Legend of the Sword (2017)

Motion Picture

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Effects Technical Director: Framestore

Alien: Covenant (2017)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Effects Technical Director: Framestore

Geostorm (2017)

Motion Picture

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Lead Effects Technical Director: Framestore

Paddington 2 (2017)

Motion Picture

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Jonathan Amos, Mark Everson

Cameras: ARRI ALEXA Series Cameras

Effects Technical Director: Framestore

The Legend of Tarzan (2016)

Motion Picture

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Effects Technical Director: Framestore

Fantastic Beasts and Where to Find Them (2016)

Motion Picture

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Senior Digital Artist: BUF

Bird People (2014)

Motion Picture

Directed by: Pascale Ferran

Cinematography by: Julien Hirsch

Edited by: Mathilde Muyard

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Visual Effects Artist

Brick Mansions (2014)

Motion Picture

Directed by: Camille Delamarre

Cinematography by: Christophe Collette

Edited by: Carlo Rizzo, Arthur Tarnowski

Cameras: Red Epic Camera

Lenses: Hawk V-Lite Lenses

Effects Technical Director: Framestore

Dracula Untold (2014)

Motion Picture

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Graphic Artist: BUF

The Grandmaster (2013)

Motion Picture

Directed by: Kar-Wai Wong

Cinematography by: Philippe Le Sourd

Edited by: William Chang, Hung Poon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Graphic Artist: BUF Compagnie

Life of Pi (2012)

Motion Picture

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

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Matthieu Presti

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Digital Effects Supervisor: DNEG

Nyad (2023)

Fx Supervisor: DNEG

Glass Onion (2022)

Cg Supervisor: DNEG

Ambulance (2022)

Senior Effects Technical Director: Framestore

The Aeronauts (2019)

Effects Technical Director: Framestore

King Arthur: Legend of the Sword (2017)

Effects Technical Director: Framestore

Alien: Covenant (2017)

Effects Technical Director: Framestore

Geostorm (2017)

Lead Effects Technical Director: Framestore

Paddington 2 (2017)

Effects Technical Director: Framestore

The Legend of Tarzan (2016)

Effects Technical Director: Framestore

Fantastic Beasts and Where to Find Them (2016)

Senior Digital Artist: BUF

Bird People (2014)

Visual Effects Artist

Brick Mansions (2014)

Effects Technical Director: Framestore

Dracula Untold (2014)

Graphic Artist: BUF

The Grandmaster (2013)

Graphic Artist: BUF Compagnie

Life of Pi (2012)

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