Russell R. Anderson

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Avengers: Endgame | ShotOnWhat?

Leadman

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

Leadman

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Ghostbusters | ShotOnWhat?

Leadman

Ghostbusters (2016)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Leadman

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

This Is 40 | ShotOnWhat?

Leadman

This Is 40 (2012)

Directed by: Judd Apatow

Cinematography by: Phedon Papamichael

Edited by: David L. Bertman, Jay Deuby, Brent White

Cameras: ARRI ALEXA Camera

Django Unchained | ShotOnWhat?

Leadman

Django Unchained (2012)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Amazing Spider-Man | ShotOnWhat?

Leadman

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Thor | ShotOnWhat?

Set Dresser

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Get Him to the Greek | ShotOnWhat?

Leadman

Get Him to the Greek (2010)

Directed by: Nicholas Stoller

Cinematography by: Robert D. Yeoman

Edited by: William Kerr, Michael L. Sale

Cameras: Panavision Cameras

Funny People | ShotOnWhat?

Leadman

Funny People (2009)

Directed by: Judd Apatow

Cinematography by: Janusz Kaminski

Edited by: Craig Alpert, Brent White

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Seven Pounds | ShotOnWhat?

Leadman

Seven Pounds (2008)

Directed by: Gabriele Muccino

Cinematography by: Philippe Le Sourd

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Lions for Lambs | ShotOnWhat?

Leadman

Lions for Lambs (2007)

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Spider-Man 3 | ShotOnWhat?

Lead Man

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Failure to Launch | ShotOnWhat?

Lead Man

Failure to Launch (2006)

Directed by: Tom Dey

Cinematography by: Claudio Miranda

Edited by: Steven Rosenblum

Spanglish | ShotOnWhat?

Lead Man

Spanglish (2004)

Directed by: James L. Brooks

Cinematography by: John Seale

Edited by: Richard Marks, Tia Nolan

Seabiscuit | ShotOnWhat?

Lead Man

Seabiscuit (2003)

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Catch Me If You Can | ShotOnWhat?

Lead Man

Catch Me If You Can (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

S1m0ne | ShotOnWhat?

Lead Man

S1m0ne (2002)

Directed by: Andrew Niccol

Cinematography by: Edward Lachman

Edited by: Paul Rubell

Bad Company | ShotOnWhat?

Lead Man: Prague

Bad Company (2002)

Directed by: Joel Schumacher

Cinematography by: Dariusz Wolski

Edited by: Mark Goldblatt, Robert K. Lambert

The Family Man | ShotOnWhat?

Lead Man

The Family Man (2000)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

The Astronaut's Wife | ShotOnWhat?

Lead Man: Los Angeles

The Astronaut's Wife (1999)

Directed by: Rand Ravich

Cinematography by: Allen Daviau

Edited by: Timothy Alverson, Steve Mirkovich

Deep Blue Sea | ShotOnWhat?

Lead Man

Deep Blue Sea (1999)

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

The Parent Trap | ShotOnWhat?

Lead Man

The Parent Trap (1998)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Stephen A. Rotter

Con Air | ShotOnWhat?

Lead Man

Con Air (1997)

Directed by: Simon West

Cinematography by: David Tattersall

Edited by: Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Red Corner | ShotOnWhat?

Set Dresser

Red Corner (1997)

Directed by: Jon Avnet

Cinematography by: Karl Walter Lindenlaub

Edited by: Peter E. Berger

Leaving Las Vegas | ShotOnWhat?

Lead Man

Leaving Las Vegas (1995)

Directed by: Mike Figgis

Cinematography by: Declan Quinn

Edited by: John Smith

Powder | ShotOnWhat?

Lead Person

Powder (1995)

Directed by: Victor Salva

Cinematography by: Jerzy Zielinski

Edited by: Dennis M. Hill

Tremors | ShotOnWhat?

Swing Gang

Tremors (1990)

Directed by: Ron Underwood

Cinematography by: Alexander Gruszynski

Edited by: O. Nicholas Brown

Class of 1999 | ShotOnWhat?

Set Dresser

Class of 1999 (1990)

Directed by: Mark L. Lester

Cinematography by: Mark Irwin

Edited by: Scott Conrad

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