Special Effects Supervisor: Fight Unit
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Lead Senior Special Effects Technician
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Senior Technician: Budapest
I Spy (2002)
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
Practical Effects Supervisor
Dungeons & Dragons (2000)
Directed by: Courtney Solomon
Cinematography by: Douglas Milsome
Edited by: Caroline Ross
Pyro Supervisor
Hotel Splendide (2000)
Directed by: Terence Gross
Cinematography by: Gyula Pados
Edited by: Michael Ellis
Special Effects Coordinator / Special Effects Supervisor
Elizabeth (1998)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Special Effects Supervisor
The Saint (1997)
Directed by: Phillip Noyce
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: Panavision Panaflex Gold II Camera
Special Effects Supervisor
The Man Who Knew Too Little (1997)
Directed by: Jon Amiel
Cinematography by: Robert M. Stevens
Cameras: Panavision Cameras
Mechanical Effects Supervisor
101 Dalmatians (1996)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects
First Knight (1995)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Special Effects
Splitting Heirs (1993)
Directed by: Robert Young
Cinematography by: Tony Pierce-Roberts
Edited by: John Jympson
Special Effects Supervisor: UK
Patriot Games (1992)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Special Effects Supervisor
Air America (1990)
Directed by: Roger Spottiswoode
Cinematography by: Roger Deakins
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Mechanical Effects Supervisor
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Special Effects Supervisor
A Fish Called Wanda (1988)
Cinematography by: Alan Hume
Edited by: John Jympson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mechanical Effects Supervisor
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Special Effects Supervisor
Labyrinth (1986)
Directed by: Jim Henson
Cinematography by: Alex Thomson
Edited by: John Grover
Special Effects Supervisor
Brazil (1985)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Julian Doyle
Cameras: J-D-C Camera
Lenses: Kinoptik Lenses, Zeiss Lenses
Mechanical Effects Supervisor
Indiana Jones and the Temple of Doom (1984)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Gold Camera
Special Effects Floor Supervisor
Conan the Barbarian (1982)
Directed by: John Milius
Cinematography by: Duke Callaghan
Edited by: Carroll Timothy O'Meara
Cameras: ARRIFLEX 35 BL Camera
Lenses: Todd-AO Lenses
Special Effects Supervisor
Eye of the Needle (1981)
Directed by: Richard Marquand
Cinematography by: Alan Hume
Edited by: Sean Barton
Special Effects Supervisor: UK
Ragtime (1981)
Directed by: Milos Forman
Cinematography by: Miroslav Ondrícek
Additional Model Effects
Superman (1978)
Directed by: Richard Donner
Cinematography by: Geoffrey Unsworth
Cameras: Panavision Silent Reflex PSR Camera
Editing System: Moviola Editing System
Special Effects Coordinator
A Bridge Too Far (1977)
Directed by: Richard Attenborough
Cinematography by: Geoffrey Unsworth
Edited by: Antony Gibbs
Special Effects Assistant
Battle of Britain (1969)
Directed by: Guy Hamilton
Cinematography by: Freddie Young
Edited by: Bert Bates