Special Effects Coordinator
Ad Astra (2019)
Directed by: James Gray
Cinematography by: Hoyte Van Hoytema
Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera
Lenses: CamTec Lenses, Zeiss Master Prime Lenses
Special Effects Technician
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Special Effects Supervisor
'Justified' Fate's Right Hand (2015)
Directed by: Michael Dinner
Cinematography by: Stefan von Bjorn
Special Effects Supervisor
'Justified' Cash Game (2015)
Directed by: Dean Parisot
Cinematography by: Attila Szalay
Special Effects Supervisor
'Justified' The Trash and the Snake (2015)
Directed by: Adam Arkin
Cinematography by: Attila Szalay
Special Effects Supervisor
'Justified' Sounding (2015)
Directed by: Jon Avnet
Cinematography by: Stefan von Bjorn
Edited by: Eric L. Beason
Special Effects Supervisor
'Justified' Noblesse Oblige (2015)
Directed by: Peter Weller
Cinematography by: Stefan von Bjorn
Special Effects Foreman - 2012-2014
'Justified' The Kids Aren't All Right (2014)
Directed by: Bill Johnson
Cinematography by: Francis Kenny
Edited by: Steven Nevius
Special Effects Foreman - 2012-2014
'Justified' A Murder of Crowes (2014)
Directed by: Michael Dinner
Cinematography by: Francis Kenny
Special Effects Foreman - 2012-2014
'Justified' Good Intentions (2014)
Directed by: Dean Parisot
Cinematography by: Francis Kenny
Edited by: Eric L. Beason
Special Effects Foreman - 2012-2014
'Justified' Over the Mountain (2014)
Directed by: Gwyneth Horder-Payton
Cinematography by: Francis Kenny
Special Effects Foreman - 2012-2014
'Justified' Shot All to Hell (2014)
Directed by: Adam Arkin
Cinematography by: Francis Kenny
Edited by: Steven Nevius
Special Effects Foreman - 2012-2014
'Justified' Kill the Messenger (2014)
Directed by: Don Kurt
Cinematography by: Francis Kenny
Edited by: Eric L. Beason
Special Effects Foreman - 2012-2014
'Justified' Whistle Past the Graveyard (2014)
Directed by: Peter Werner
Cinematography by: Francis Kenny
Special Effects Foreman - 2012-2014
'Justified' Wrong Roads (2014)
Directed by: Michael Dinner
Cinematography by: Francis Kenny
Edited by: Eric L. Beason
Special Effects Foreman - 2012-2014
'Justified' Weight (2014)
Directed by: John Dahl
Cinematography by: Francis Kenny
Special Effects Foreman - 2012-2014
'Justified' The Toll (2014)
Directed by: Jon Avnet
Cinematography by: Francis Kenny
Special Effects Foreman - 2012-2014
'Justified' Starvation (2014)
Directed by: Michael Pressman
Cinematography by: Richard Crudo
Special Effects Foreman - 2012-2014
'Justified' Raw Deal (2014)
Directed by: Bill Johnson
Cinematography by: Richard Crudo
Special Effects Foreman
'Justified' Get Drew (2013)
Directed by: Billy Gierhart
Cinematography by: Francis Kenny
Edited by: Steve Polivka
Special Effects Foreman
'Justified' Hole in the Wall (2013)
Directed by: Michael Dinner
Cinematography by: Francis Kenny
Edited by: Harvey Rosenstock
Special Effects Foreman
'Justified' Where's Waldo? (2013)
Directed by: Bill Johnson
Cinematography by: Francis Kenny
Edited by: Steve Polivka
Special Effects Foreman
'Justified' Truth and Consequences (2013)
Directed by: Jon Avnet
Cinematography by: Francis Kenny
Edited by: Keith Henderson
Special Effects Foreman
'Justified' This Bird Has Flown (2013)
Directed by: Bill Johnson
Cinematography by: Francis Kenny
Edited by: Steve Polivka
Special Effects Foreman
'Justified' Kin (2013)
Directed by: Peter Werner
Cinematography by: Francis Kenny
Edited by: Harvey Rosenstock
Special Effects Foreman
'Justified' Foot Chase (2013)
Directed by: Peter Werner
Cinematography by: Francis Kenny
Edited by: Steve Polivka
Special Effects Foreman
'Justified' Money Trap (2013)
Directed by: Don Kurt
Cinematography by: Francis Kenny
Edited by: Keith Henderson
Special Effects Foreman
'Justified' Outlaw (2013)
Directed by: John Dahl
Cinematography by: Francis Kenny
Edited by: Harvey Rosenstock
Special Effects Foreman
'Justified' The Hatchet Tour (2013)
Directed by: Lesli Linka Glatter
Cinematography by: Richard Crudo
Edited by: Keith Henderson
Special Effects Foreman
'Justified' Decoy (2013)
Directed by: Michael W. Watkins
Cinematography by: Francis Kenny
Edited by: Harvey Rosenstock
Special Effects Foreman
'Justified' Peace of Mind (2013)
Directed by: Gwyneth Horder-Payton
Cinematography by: Francis Kenny
Edited by: Keith Henderson
Special Effects Foreman
'Justified' Ghosts (2013)
Directed by: Bill Johnson
Cinematography by: Richard Crudo
Edited by: Steve Polivka
Special Effects Coordinator
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Special Effects Coordinator
Call Me Crazy: A Five Film (2013)
Special Effects Foreman
'Justified' Guy Walks Into a Bar (2012)
Directed by: Tony Goldwyn
Cinematography by: Francis Kenny
Edited by: Dorian Harris
Special Effects Foreman
'Justified' Slaughterhouse (2012)
Directed by: Dean Parisot
Cinematography by: Francis Kenny
Edited by: Bill Johnson
Special Effects Foreman
'Justified' Coalition (2012)
Directed by: Bill Johnson
Cinematography by: Richard Crudo
Edited by: Keith Henderson
Special Effects Foreman
'Justified' Measures (2012)
Directed by: John Dahl
Cinematography by: Francis Kenny
Edited by: Steve Polivka
Special Effects Supervisor
'Eagleheart' Old Gary (2012)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Daniel Haworth
Special Effects Supervisor
'Eagleheart' Exit Wound the Gift Shop (2012)
Directed by: Benjamin Berman
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola
Special Effects Supervisor
'Eagleheart' Little Dude (2012)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Daniel Haworth
Special Effects Supervisor
'Eagleheart' Silly Sammy (2012)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Daniel Haworth
Special Effects Supervisor
'Eagleheart' Bringing Up Beezor (2012)
Directed by: Benjamin Berman
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola
Special Effects Supervisor
'Eagleheart' Gabey, Calvin, and Stu (2012)
Directed by: Jason Woliner
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola
Special Effects Foreman
'Justified' The Gunfighter (2012)
Directed by: Michael Dinner
Cinematography by: Francis Kenny
Edited by: Bill Johnson
Special Effects Foreman
'Justified' Cut Ties (2012)
Directed by: Michael W. Watkins
Cinematography by: Francis Kenny
Edited by: Keith Henderson
Special Effects Foreman
'Justified' Harlan Roulette (2012)
Directed by: Jon Avnet
Cinematography by: Francis Kenny
Edited by: Steve Polivka
Special Effects Foreman
'Justified' The Devil You Know (2012)
Directed by: Dean Parisot
Cinematography by: Francis Kenny
Edited by: Bill Johnson
Special Effects Foreman
'Justified' Thick as Mud (2012)
Directed by: Adam Arkin
Cinematography by: Francis Kenny
Edited by: Keith Henderson
Special Effects Foreman
'Justified' When the Guns Come Out (2012)
Directed by: Don Kurt
Cinematography by: Francis Kenny
Edited by: Steve Polivka
Special Effects Foreman
'Justified' The Man Behind the Curtain (2012)
Directed by: Peter Werner
Cinematography by: Francis Kenny
Edited by: Bill Johnson
Special Effects Foreman
'Justified' Watching the Detectives (2012)
Directed by: Peter Werner
Cinematography by: Francis Kenny
Edited by: Keith Henderson
Special Effects Foreman
'Justified' Loose Ends (2012)
Directed by: Gwyneth Horder-Payton
Cinematography by: Francis Kenny
Edited by: Steve Polivka
Special Effects Technician
Crazy, Stupid, Love. (2011)
Cinematography by: Andrew Dunn
Edited by: Lee Haxall
Cameras: Panavision Panaflex Platinum Camera
Special Effects Supervisor: Additional Photography
Devil (2010)
Directed by: John Erick Dowdle
Cinematography by: Tak Fujimoto
Edited by: Elliot Greenberg
Cameras: Panavision Cameras
Special Effects Foreman: Additional Photography
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Special Effects Supervisor - 6 Episodes, 2012
Eagleheart (2010)
Cinematography by: Christian Sprenger
Edited by: Eric Notarnicola, Benjamin Berman, Seth Clark, Daniel Haworth, Michael Giambra, Steve Welch, Kabir Akhtar
Cameras: Red One Camera
Editing System: Final Cut Pro Editing System
Special Effects Foreman / Special Effects Supervisor - 43 Episodes, 2012-2015
Justified (2010)
Directed by: Adam Arkin, Jon Avnet, Peter Werner, Michael Dinner, John Dahl, Bill Johnson, Michael W. Watkins, Gwyneth Horder-Payton, Don Kurt, Dean Parisot, Tony Goldwyn, Michael Pressman, Rod Holcomb, Michael Katleman, Frederick King Keller, John David Coles, Billy Gierhart, Lesli Linka Glatter, Peter Weller
Cinematography by: Francis Kenny, Stefan von Bjorn, Edward J. Pei, Richard Crudo, Attila Szalay, Peter Levy, Andrew Strahorn
Special Effects Technician
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Special Effects On-set Technician
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Special Effects Technician
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
On-set Special Effects
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Special Effects Technician
Hulk (2003)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Special Effects Rigger
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Special Effects Foreman
Bandits (2001)
Directed by: Barry Levinson
Cinematography by: Dante Spinotti
Edited by: Stu Linder
Special Effects
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Special Effects Technician
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Special Effects Technician
Bulletproof (1996)
Directed by: Ernest R. Dickerson
Cinematography by: Steven Bernstein
Edited by: George Folsey Jr.
Special Effects Technician
Set It Off (1996)
Directed by: F. Gary Gray
Cinematography by: Marc Reshovsky
Edited by: John Carter
