Visual Effects Coordinator: Tippett Studio
A Million Ways to Die in the West (2014)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Visual Effects Coordinator
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Visual Effects Production Manager: Industrial Light & Magic, Singapore
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Visual Effects Production Manager: Industrial Light & Magic, Singapore
The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Visual Effects Production Manager: Industrial Light & Magic, Singapore
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Visual Effects Production Manager: Industrial Light & Magic, Singapore
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Visual Effects Production Manager: Industrial Light & Magic, Singapore
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Vfx Production Manager: Industrial Light & Magic Singapore
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Visual Effects Bidding Producer: Photon VFX
The Marine (2006)
Directed by: John Bonito
Cinematography by: David Eggby
Edited by: Dallas Puett
Visual Effects Coordinator
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Visual Effects Bidding Producer: Photon VFX
House of Wax (2005)
Directed by: Jaume Collet-Serra
Cinematography by: Stephen F. Windon
Edited by: Joel Negron
Assistant To Visual Effects Producer
Anacondas: The Hunt for the Blood Orchid (2004)
Directed by: Dwight H. Little
Cinematography by: Stephen F. Windon
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Coordinator
Ghost Ship (2002)
Directed by: Steve Beck
Cinematography by: Gale Tattersall
Edited by: Roger Barton