Doug Yoshida

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"Stranger Things" Chapter Five: The Nina Project | ShotOnWhat?

Digital Artist: Digital Domain 3.0

'Stranger Things' Chapter Five: The Nina Project (2022)

Television Episode

Directed by: Nimród Antal

Cinematography by: Caleb Heymann

Edited by: Casey Cichocki, Nat Fuller, Dean Zimmerman

"Stranger Things" Chapter Seven: The Massacre at Hawkins Lab | ShotOnWhat?

Lookdev Lead: Digital Domain 3.0

'Stranger Things' Chapter Seven: The Massacre at Hawkins Lab (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Nat Fuller, Dean Zimmerman

"Stranger Things" Chapter Eight: Papa | ShotOnWhat?

Digital Artist: Digital Domain 3.0

'Stranger Things' Chapter Eight: Papa (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Katheryn Naranjo

Senior Lighting Technical Director

Black Panther (2018)

Motion Picture

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Senior Lighting Technical Director

Thor: Ragnarok (2017)

Motion Picture

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Lighter/compositor: Luma Pictures , Senior Lighting Technical Director

Spider-Man: Homecoming (2017)

Motion Picture

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Senior Look Development/lighting Technical Director

The Fate of the Furious (2017)

Motion Picture

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Digital Artist: Digital Domain 3.0 / Lookdev Lead: Digital Domain 3.0 - 3 Episodes, 2022

Stranger Things (2016)

Television Series

Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg

Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco

Edited by: Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Additional Lighting

Penguins of Madagascar (2014)

Motion Picture

Directed by: Eric Darnell, Simon J. Smith

Edited by: Nick Kenway

Lighter

Turbo (2013)

Motion Picture

Directed by: David Soren

Cinematography by: Chris Stover

Edited by: James Ryan

Madagascar 3: Europe's Most Wanted | ShotOnWhat?

Lighter

Madagascar 3: Europe's Most Wanted (2012)

Motion Picture

Directed by: Eric Darnell, Tom McGrath, Conrad Vernon

Edited by: Nick Fletcher

Editing System: Avid Editing System

Lighter

Rise of the Guardians (2012)

Motion Picture

Directed by: Peter Ramsey

Edited by: Joyce Arrastia

Lighter

Puss in Boots (2011)

Motion Picture

Directed by: Chris Miller

Cinematography by: Gil Zimmerman

Edited by: Erika Dapkewicz

Senior Technical Director: Color And Lighting

Beowulf (2007)

Motion Picture

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

Senior Technical Director: Lighting And Compositing

Surf's Up (2007)

Motion Picture

Directed by: Ash Brannon, Chris Buck

Edited by: Ivan Bilancio, Nancy Frazen

Senior Technical Director

Spider-Man 3 (2007)

Motion Picture

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Senior Technical Director

The Polar Express (2004)

Motion Picture

Directed by: Robert Zemeckis

Cinematography by: Don Burgess, Robert Presley

Edited by: R. Orlando Duenas, Jeremiah O'Driscoll

Additional Lighting

Shrek 2 (2004)

Motion Picture

Directed by: Andrew Adamson, Kelly Asbury, Conrad Vernon

Edited by: Mike Andrews, Sim Evan-Jones

Technical Director

The Matrix Reloaded (2003)

Motion Picture

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Technical Director

The Matrix Revolutions (2003)

Motion Picture

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Cloth Lead

Stuart Little 2 (2002)

Motion Picture

Directed by: Rob Minkoff

Cinematography by: Steven Poster

Edited by: Priscilla Nedd-Friendly

Effects Animator

Hollow Man (2000)

Motion Picture

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

Visual Effects Technical Director: SPI

Cast Away (2000)

Motion Picture

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

CG Cloth Technical Director: SPI

Stuart Little (1999)

Motion Picture

Directed by: Rob Minkoff

Cinematography by: Guillermo Navarro

Edited by: Tom Finan

Cameras: Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Technical Assistant

The Replacement Killers (1998)

Motion Picture

Directed by: Antoine Fuqua

Cinematography by: Peter Lyons Collister

Edited by: Jay Cassidy

Digital Artist: SPI

Godzilla (1998)

Motion Picture

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Lead Data Engineer

Contact (1997)

Motion Picture

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

The Ghost and the Darkness | ShotOnWhat?

Technical Assistant

The Ghost and the Darkness (1996)

Motion Picture

Directed by: Stephen Hopkins

Cinematography by: Vilmos Zsigmond

Edited by: Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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