Didier Lozahic

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Re-recording Mixer

The Transporter Refueled (2015)

Motion Picture

Directed by: Camille Delamarre

Cinematography by: Christophe Collette, Vincent Richard

Edited by: Julien Rey

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Sound

Brick Mansions (2014)

Motion Picture

Directed by: Camille Delamarre

Cinematography by: Christophe Collette

Edited by: Carlo Rizzo, Arthur Tarnowski

Cameras: Red Epic Camera

Lenses: Hawk V-Lite Lenses

Re-recording Mixer

Lucy (2014)

Motion Picture

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Re-recording Mixer

3 Days to Kill (2014)

Motion Picture

Directed by: McG

Cinematography by: Thierry Arbogast

Edited by: Audrey Simonaud

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses: Technovision Lenses, Zeiss Super Speed Lenses

Re-recording Mixer / Supervising Sound Editor

The Family (2013)

Motion Picture

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Re-recording Mixer

Collision (2013)

Motion Picture

Directed by: David Marconi

Cinematography by: Thomas Hardmeier

Edited by: Julien Rey

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses

Re-recording Mixer

Les invincibles (2013)

Motion Picture

Directed by: Frédéric Berthe

Cinematography by: David Quesemand

Edited by: Vanessa Basté, Hugues Darmois, Stéphane Garnier

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Lenses

Re-recording Mixer

Lockout (2012)

Motion Picture

Directed by: James Mather, Steve Saint Leger

Cinematography by: James Mather

Edited by: Camille Delamarre, Eamonn Power

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

Re-recording Mixer

Bowling (2012)

Motion Picture

Directed by: Marie-Castille Mention-Schaar

Cinematography by: Myriam Vinocour

Edited by: Hugues Darmois

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Music Recordist, Re-recording Mixer / Sound

The Lady (2011)

Motion Picture

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Re-recording Mixer

The Divide (2011)

Motion Picture

Directed by: Xavier Gens

Cinematography by: Laurent Barès

Edited by: Carlo Rizzo

Les aventures extraordinaires d'Adèle Blanc-Sec | ShotOnWhat?

Music Mixer Engineer

Les aventures extraordinaires d'Adèle Blanc-Sec (2010)

Motion Picture

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Arthur 3: la guerre des deux mondes | ShotOnWhat?

Music Mixer, Re-recording Mixer

Arthur 3: la guerre des deux mondes (2010)

Motion Picture

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Stéphane Garnier, Julien Rey

Re-recording Mixer

L'immortel (2010)

Motion Picture

Directed by: Richard Berry

Cinematography by: Thomas Hardmeier

Edited by: Camille Delamarre

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Re-recording Mixer

La première étoile (2009)

Motion Picture

Directed by: Lucien Jean-Baptiste

Cinematography by: Myriam Vinocour

Edited by: Hugues Darmois

Re-recording Mixer

John Rabe (2009)

Motion Picture

Directed by: Florian Gallenberger

Cinematography by: Jürgen Jürges

Edited by: Hansjörg Weißbrich

Re-recording Mixer

District 13: Ultimatum (2009)

Motion Picture

Directed by: Patrick Alessandrin

Cinematography by: Jean-François Hensgens

Edited by: Stéphane Garnier, Julien Rey

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Music Recorder

Si j'étais toi (2007)

Motion Picture

Directed by: Vincent Perez

Cinematography by: Paul Sarossy

Edited by: Yves Beloniak

Music Mixer, Sound Mixing: Re-recording

Arthur and the Invisibles (2006)

Motion Picture

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Karim Benhammouda, Yann Hervé, Vincent Tabaillon

Foley Recordist / Re-recording Mixer, Music Mixer

Bandidas (2006)

Motion Picture

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Thierry Arbogast

Edited by: Frédéric Thoraval

Re-recording Mixer

Angel-A (2005)

Motion Picture

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Christine Lucas Navarro, Frédéric Thoraval

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Re-recording Mixer

Brick (2005)

Motion Picture

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Rian Johnson

Re-recording Mixer / Sound Editor

High Tension (2003)

Motion Picture

Directed by: Alexandre Aja

Cinematography by: Maxime Alexandre

Edited by: Baxter, Al Rundle, Sophie Vermersch

Music Editor / Score Mixer / Score Recordist, Re-recording Mixer

Monsieur N. (2003)

Motion Picture

Directed by: Antoine de Caunes

Cinematography by: Pierre Aïm

Edited by: Joële Van Effenterre

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses

Re-recording Mixer

Taxi 3 (2003)

Motion Picture

Directed by: Gérard Krawczyk

Cinematography by: Gérard Sterin

Edited by: Yann Hervé

Re-recording Mixer

Fanfan (2003)

Motion Picture

Directed by: Gérard Krawczyk

Cinematography by: Gérard Simon

Edited by: Nicolas Trembasiewicz

Re-recording Mixer Engineer, Score Recordist

The Transporter (2002)

Motion Picture

Directed by: Louis Leterrier, Corey Yuen

Cinematography by: Pierre Morel

Edited by: Nicolas Trembasiewicz

Score Mixer

Décalage horaire (2002)

Motion Picture

Directed by: Danièle Thompson

Cinematography by: Patrick Blossier

Edited by: Sylvie Landra

Score Mixer

Rollerball (2002)

Motion Picture

Directed by: John McTiernan

Cinematography by: Steve Mason

Edited by: Robert K. Lambert, John Wright

Re-recording Mixer

Kiss of the Dragon (2001)

Motion Picture

Directed by: Chris Nahon

Cinematography by: Thierry Arbogast

Edited by: Marco Cavé

Re-recording Mixer / Sound Mixer, Score Mixer

Wasabi (2001)

Motion Picture

Directed by: Gérard Krawczyk

Cinematography by: Gérard Sterin

Edited by: Yann Hervé

Score Mixer

Taxi 2 (2000)

Motion Picture

Directed by: Gérard Krawczyk

Cinematography by: Gérard Sterin

Edited by: Thierry Hoss

The Messenger: The Story of Joan of Arc | ShotOnWhat?

Score Mixer: Synthesizer Score / Synthetic Music Recordist

The Messenger: The Story of Joan of Arc (1999)

Motion Picture

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Sylvie Landra

Score Mixer

The Fifth Element (1997)

Motion Picture

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Sylvie Landra

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses: Zeiss Lenses

Score Mixer: Synthesizer Score

GoldenEye (1995)

Motion Picture

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Moviola Editing System, Steenbeck Editing System

20254.20

Didier Lozahic

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Re-recording Mixer

Sound

Re-recording Mixer

Re-recording Mixer

Re-recording Mixer / Supervising Sound Editor

Re-recording Mixer

Re-recording Mixer

Re-recording Mixer

Re-recording Mixer

Music Recordist, Re-recording Mixer / Sound

Re-recording Mixer

Music Mixer Engineer

Music Mixer, Re-recording Mixer

Re-recording Mixer

Re-recording Mixer

Re-recording Mixer

Re-recording Mixer

Music Recorder

Music Mixer, Sound Mixing: Re-recording

Foley Recordist / Re-recording Mixer, Music Mixer

Re-recording Mixer

Re-recording Mixer

Re-recording Mixer / Sound Editor

Music Editor / Score Mixer / Score Recordist, Re-recording Mixer

Re-recording Mixer

Re-recording Mixer

Re-recording Mixer Engineer, Score Recordist

Score Mixer

Score Mixer

Re-recording Mixer

Re-recording Mixer / Sound Mixer, Score Mixer

Score Mixer

Score Mixer: Synthesizer Score / Synthetic Music Recordist

Score Mixer

Score Mixer: Synthesizer Score