Production Visual Effects Supervisor, Second Unit Director
Nyad (2023)
Cinematography by: Claudio Miranda
Edited by: Christopher Tellefsen
Lenses: Fujinon Lenses, Zeiss Master Prime Lenses
Production Visual Effects Supervisor, Visual Effects Supervisor
Mid90s (2018)
Directed by: Jonah Hill
Cinematography by: Christopher Blauvelt
Edited by: Nick Houy
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Super Speed Lenses
Visual Effects Supervisor
Birdman or (The Unexpected Virtue of Ignorance) (2014)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Visual Effects Supervisor
The Cobbler (2014)
Directed by: Tom McCarthy
Cinematography by: W. Mott Hupfel III
Edited by: Tom McArdle
Cameras: ARRI ALEXA Plus Camera
Visual Effects Supervisor
John Wick (2014)
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Visual Effects Supervisor
Foxcatcher (2014)
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Visual Effects Supervisor
The Fault in Our Stars (2014)
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Visual Effects Supervisor: Phosphene
Blue Jasmine (2013)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor
The Truth About Emanuel (2013)
Directed by: Francesca Gregorini
Cinematography by: Polly Morgan
Edited by: Antony Langdon
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor
'The Good Wife' Two Girls, One Code (2012)
Directed by: Brooke Kennedy
Cinematography by: Fred Murphy
Edited by: Matthew Kregor
Visual Effects Supervisor
'The Good Wife' I Fought the Law (2012)
Directed by: Michael Zinberg
Cinematography by: Fred Murphy
Edited by: David Dworetzky
Visual Effects Supervisor
'The Good Wife' And the Law Won (2012)
Directed by: Rosemary Rodriguez
Cinematography by: Tim Guinness
Edited by: Scott Vickrey
Visual Effects Supervisor
'The Good Wife' The Dream Team (2012)
Directed by: Robert King
Cinematography by: Fred Murphy
Edited by: David Dworetzky
Visual Effects Supervisor
'The Good Wife' After the Fall (2012)
Directed by: James Whitmore Jr.
Cinematography by: Fred Murphy
Edited by: David Dworetzky
Additional Visual Effects Supervisor
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Visual Effects Supervisor
Win Win (2011)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Visual Effects Set Supervisor
The Beaver (2011)
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Additional Visual Effects Supervisor
The Other Guys (2010)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Visual Effects Supervisor - 5 Episodes, 2012
The Good Wife (2009)
Directed by: Rosemary Rodriguez, Michael Zinberg, Brooke Kennedy, James Whitmore Jr., Félix Enríquez Alcalá, Jim McKay, Frederick E.O. Toye, Robert King, Matt Shakman, Nelson McCormick, Rod Holcomb, Roxann Dawson, Griffin Dunne, Josh Charles, Paris Barclay, Charles McDougall, Christopher Misiano, Dean Parisot, Kevin Hooks, David Dworetzky, Scott Ellis, Daniel Minahan, Gloria Muzio, John Polson, John Gallagher, Lesli Linka Glatter, Julie Hébert, Peter O'Fallon, Steve Shill, Alex Zakrzewski, Phil Abraham, Tom DiCillo, Joshua Marston, David Platt, Ted Humphrey, Craig Zisk, Phil Alden Robinson
Edited by: Scott Vickrey, David Dworetzky, Matthew Kregor, David C. Cook, Katherine Skjerping, Jacque Elaine Toberen, Hibah Schweitzer, Paul Karasick, Jake Cohen, Dody Dorn, Robb Sullivan
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera