Digital Intermediate Producer
The Best of Me (2014)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Matt Chesse
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Digital Intermediate Producer
Dead Man Down (2013)
Directed by: Niels Arden Oplev
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Plus Camera
Digital Intermediate Producer
American Reunion (2012)
Cinematography by: Daryn Okada
Edited by: Jeff Betancourt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Intermediate Producer
ParaNorman (2012)
Cinematography by: Tristan Oliver
Edited by: Christopher Murrie
Cameras: Canon EOS-5D Mark II Camera
Digital Intermediate Producer
Bucky Larson: Born to Be a Star (2011)
Directed by: Tom Brady
Cinematography by: Michael Barrett
Edited by: Jason Gourson
Digital Intermediate Producer
Bloodworth (2010)
Directed by: Shane Dax Taylor
Cinematography by: Tim Orr
Digital Intermediate Producer
While She Was Out (2008)
Directed by: Susan Montford
Cinematography by: Steve Gainer
Edited by: William M. Anderson
Digital Intermediate Producer
Superhero Movie (2008)
Directed by: Craig Mazin
Cinematography by: Thomas E. Ackerman
Cameras: ARRI Cameras
Film Recording Producer
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Digital Intermediate Producer: Technicolor Digital Intermediates, Burbank
All the Days Before Tomorrow (2007)
Directed by: François Dompierre
Cinematography by: Gavin Kelly
Digital Intermediate Producer
Sydney White (2007)
Directed by: Joe Nussbaum
Cinematography by: Mark Irwin
Edited by: Danny Saphire
Digital Intermediate Producer
Beerfest (2006)
Directed by: Jay Chandrasekhar
Cinematography by: Frank G. DeMarco
Edited by: Lee Haxall
Visual Effects Producer
'CSI: Miami' Invasion (2004)
Directed by: Félix Enríquez Alcalá
Cinematography by: Dermott Downs
Edited by: Scott Lerner
Visual Effects Producer
'CSI: Miami' Complications (2004)
Directed by: Scott Lautanen
Cinematography by: Dermott Downs
Edited by: John Refoua
Visual Effects Producer
'CSI: Miami' Stalkerazzi (2004)
Directed by: Deran Sarafian
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Visual Effects Producer
'CSI: Miami' Slow Burn (2004)
Directed by: Joe Chappelle
Cinematography by: Thomas Yatsko
Edited by: Mark C. Baldwin
Visual Effects Producer
'CSI: Miami' Blood Moon (2004)
Directed by: Scott Lautanen
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Visual Effects Producer
'CSI: Miami' Witness to Murder (2004)
Directed by: Duane Clark
Cinematography by: Thomas Yatsko
Edited by: Scott Lerner
Visual Effects Producer
'CSI: Miami' Innocent (2004)
Directed by: Joe Chappelle
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Visual Effects Producer
'CSI: Miami' Money for Nothing (2004)
Directed by: Karen Gaviola
Cinematography by: Dermott Downs
Edited by: John Refoua
Visual Effects Producer
'CSI: Miami' Wannabe (2004)
Directed by: Frederick King Keller
Cinematography by: Thomas Yatsko
Edited by: Scott Lerner
Visual Effects Producer
'CSI: Miami' Deadline (2004)
Directed by: Deran Sarafian
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Visual Effects Producer
'CSI: Miami' The Oath (2004)
Directed by: Duane Clark
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Visual Effects Producer
'CSI: Miami' Not Landing (2004)
Directed by: Joe Chappelle
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Visual Effects Producer
'CSI: Miami' Rap Sheet (2004)
Directed by: David Grossman
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Visual Effects Producer
'CSI: Miami' MIA/NYC Nonstop (2004)
Directed by: Danny Cannon
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Visual Effects Producer
'CSI: Miami' Bait (2003)
Directed by: Deran Sarafian
Cinematography by: Dermott Downs
Edited by: Scott Lerner
Associate Visual Effects Producer
Kangaroo Jack (2003)
Directed by: David McNally
Cinematography by: Peter Menzies Jr.
Cameras: Panavision Cameras
Visual Effects Producer
'CSI: Miami' Blood Brothers (2003)
Directed by: Danny Cannon
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Visual Effects Producer
'CSI: Miami' Dead Zone (2003)
Directed by: Joe Chappelle
Edited by: John Refoua
Visual Effects Producer
'CSI: Miami' Hard Time (2003)
Directed by: Deran Sarafian
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Visual Effects Producer
'CSI: Miami' Death Grip (2003)
Directed by: David Grossman
Cinematography by: Thomas Yatsko
Edited by: Scott Lerner
Visual Effects Producer
'CSI: Miami' The Best Defense (2003)
Directed by: Scott Lautanen
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Visual Effects Producer
'CSI: Miami' Hurricane Anthony (2003)
Directed by: Joe Chappelle
Edited by: Scott Lerner
Visual Effects Producer
'CSI: Miami' Grand Prix (2003)
Directed by: David Grossman
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Visual Effects Producer
'CSI: Miami' Extreme (2003)
Directed by: Karen Gaviola
Cinematography by: Thomas Yatsko
Edited by: Mark C. Baldwin
Visual Effects Producer
'CSI: Miami' Big Brother (2003)
Directed by: Joe Chappelle
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Visual Effects Producer - 24 Episodes, 2003-2004
CSI: Miami (2002)
Directed by: Sam Hill, Joe Chappelle, Scott Lautanen, Karen Gaviola, Matt Earl Beesley, Gina Lamar, Deran Sarafian, Eagle Egilsson, Duane Clark, Carey Meyer, Allison Liddi-Brown, David Grossman, Jonathan Glassner, Larry Detwiler, Marco Black, Don Tardino, Greg Yaitanes, Charles Correll, Frederick King Keller, Norberto Barba, Eric Mirich, Danny Cannon, Adam Rodriguez, Daniel Attias, Scott Brazil, Tucker Gates, Richard Pearce, Bryan Spicer, Artie Mandelberg, Peter Markle, Jeannot Szwarc, Steven DePaul, Félix Enríquez Alcalá, Gloria Muzio, Scott Shiffman, Ernest R. Dickerson, Anthony Hemingway, Christine Moore, Rod Holcomb, Tim Story, Rob Zombie, David Arquette, James Wilcox, Billy Gierhart, Sylvain White
Cinematography by: Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr.
Edited by: Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel
Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Digital Effects Producer
Gone in 60 Seconds (2000)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Digital Effects Producer: TSL
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Disk Space Coordinator: Digital Domain
Red Corner (1997)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Digital Effects Coordinator: Digital Domain
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Computer Graphics Coordinator
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
