Visual Effects Line Producer
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Visual Effects Line Producer
Dead Man Down (2013)
Directed by: Niels Arden Oplev
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Plus Camera
Visual Effects Coordinator
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Visual Effects Line Producer
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Visual Effects Line Producer
Grabbers (2012)
Directed by: Jon Wright
Cinematography by: Trevor Forrest
Edited by: Matt Platts-Mills
Visual Effects Coordinator
Rock of Ages (2012)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Emma E. Hickox
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Visual Effects Coordinator: Molinare
The Raven (2012)
Directed by: James McTeigue
Cinematography by: Danny Ruhlmann
Edited by: Niven Howie
Visual Effects Coordinator
Unknown (2011)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Visual Effects Coordinator
A Lonely Place to Die (2011)
Directed by: Julian Gilbey
Cinematography by: Ali Asad
Visual Effects Data Operator: Molinare London
The King's Speech (2010)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Visual Effects Coordinator
London Boulevard (2010)
Directed by: William Monahan
Cinematography by: Chris Menges
Editing System: Avid Editing System
Scan Record Assistant: Double Negative
Stranger Than Fiction (2006)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Studio: Double Negative
Alex Rider: Operation Stormbreaker (2006)
Directed by: Geoffrey Sax
Cinematography by: Chris Seager
Edited by: Andrew MacRitchie
Cameras: ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, ARRI / Zeiss Lenses
Studio Manager: Double Negative
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Visual Effects: Double Negative
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Visual Effects Editorial: Double Negative
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Studio: Double Negative
Agent Cody Banks 2: Destination London (2004)
Directed by: Kevin Allen
Cinematography by: Denis Crossan
Edited by: Andrew MacRitchie
Cameras: Panavision Cameras
