Riccardo Gambi

13 Titles

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Captain America: Civil War | ShotOnWhat?

Digital Compositor: RISE Visual Effects Studios

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Sing Street | ShotOnWhat?

Digital Compositor: Screen Scene

Sing Street (2016)

Directed by: John Carney

Cinematography by: Yaron Orbach

Edited by: Andrew Marcus, Julian Ulrichs

Cameras: ARRICAM Lite (LT) Camera, Red Epic Camera

Room | ShotOnWhat?

Digital Compositor: Screen Scene

Room (2015)

Directed by: Lenny Abrahamson

Cinematography by: Danny Cohen

Edited by: Nathan Nugent

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Hercules | ShotOnWhat?

Digital Compositor

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Kingsman: The Secret Service | ShotOnWhat?

Digital Compositor

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

I Give It a Year | ShotOnWhat?

Digital Compositor

I Give It a Year (2013)

Directed by: Dan Mazer

Cinematography by: Ben Davis

Edited by: Tony Cranstoun

Cameras: ARRI ALEXA Plus Camera

Carrie | ShotOnWhat?

Digital Compositor

Carrie (2013)

Directed by: Kimberly Peirce

Cinematography by: Steve Yedlin

Edited by: Lee Percy, Nancy Richardson

Cameras: ARRI ALEXA Camera

Kick-Ass 2 | ShotOnWhat?

Lead Compositor: Nvizible

Kick-Ass 2 (2013)

Directed by: Jeff Wadlow

Cinematography by: Tim Maurice-Jones

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

Captain Phillips | ShotOnWhat?

Compositor: Nvizible

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Lockout | ShotOnWhat?

Digital Compositor

Lockout (2012)

Directed by: James Mather, Steve Saint Leger

Cinematography by: James Mather

Edited by: Camille Delamarre, Eamonn Power

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

Frankenweenie | ShotOnWhat?

Compositor: Nvizible

Frankenweenie (2012)

Directed by: Tim Burton

Cinematography by: Peter Sorg

Edited by: Chris Lebenzon, Mark Solomon

Cameras: Canon EOS-5D Mark II Camera

Editing System: Avid Editing System

Skyfall | ShotOnWhat?

Compositor: Nvizible

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Trilogia II: I skoni tou hronou | ShotOnWhat?

Digital Compositor

Trilogia II: I skoni tou hronou (2008)

Directed by: Theodoros Angelopoulos

Cinematography by: Andreas Sinanos

Edited by: Giorgos Helidonidis, Yannis Tsitsopoulos

Cameras: ARRIFLEX 535 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens

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