Rudresh Naik

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Bardo: False Chronicle of a Handful of Truths | ShotOnWhat?

Asset Supervisor MPC

Bardo: False Chronicle of a Handful of Truths (2022)

Motion Picture

Directed by: Alejandro G. Iñárritu

Cinematography by: Darius Khondji

Edited by: Alejandro G. Iñárritu, Monica Salazar

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses

Digital Artist: Mikros

The Last Duel (2021)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

Visual Effects Modeling & Texture Lead Artist: MPC

Alien: Covenant (2017)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Modeling Artist: MPC

Ghost in the Shell (2017)

Motion Picture

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Lead Visual Effects Artist

The Jungle Book (2016)

Motion Picture

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

Lead Visual Effects Artist

Suicide Squad (2016)

Motion Picture

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Modeling Artist

Spectre (2015)

Motion Picture

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Modeling And Texturing: MPC

300: Rise of an Empire (2014)

Motion Picture

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Modeling And Texturing Artist: MPC

Maleficent (2014)

Motion Picture

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

X-Men: Days of Future Past | ShotOnWhat?

Modeling And Texturing Artist: MPC

X-Men: Days of Future Past (2014)

Motion Picture

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

Modeling And Texturing: MPC

Seventh Son (2014)

Motion Picture

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Modeling And Texturing: MPC

Guardians of the Galaxy (2014)

Motion Picture

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Modeling And Texturing Lead: MPC

Exodus: Gods and Kings (2014)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Modeling And Texturing Artist: MPC

The Lone Ranger (2013)

Motion Picture

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Modeling And Texturing Artist: MPC

RED 2 (2013)

Motion Picture

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

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Rudresh Naik

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Asset Supervisor MPC

Bardo: False Chronicle of a Handful of Truths (2022)

Digital Artist: Mikros

The Last Duel (2021)

Visual Effects Modeling & Texture Lead Artist: MPC

Alien: Covenant (2017)

Modeling Artist: MPC

Ghost in the Shell (2017)

Lead Visual Effects Artist

The Jungle Book (2016)

Lead Visual Effects Artist

Suicide Squad (2016)

Modeling Artist

Spectre (2015)

Modeling And Texturing: MPC

300: Rise of an Empire (2014)

Modeling And Texturing Artist: MPC

Maleficent (2014)

Modeling And Texturing Artist: MPC

X-Men: Days of Future Past (2014)

Modeling And Texturing: MPC

Seventh Son (2014)

Modeling And Texturing: MPC

Guardians of the Galaxy (2014)

Modeling And Texturing Lead: MPC

Exodus: Gods and Kings (2014)

Modeling And Texturing Artist: MPC

The Lone Ranger (2013)

Modeling And Texturing Artist: MPC

RED 2 (2013)

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