Additional Colorist: Company 3
Sonic the Hedgehog 2 (2022)
Directed by: Jeff Fowler
Cinematography by: Brandon Trost
Edited by: Jim May
Cameras: ARRI ALEXA Mini LF Camera
Editing System: Avid Editing System
Senior Colorist - 31 Episodes, 2019-2025
The Morning Show (2019)
Directed by: Mimi Leder, Tucker Gates, David Frankel, Stacie Passon, Kevin Bray, Roxann Dawson, Michelle MacLaren, Lynn Shelton, Miguel Arteta, Lesli Linka Glatter, Victoria Mahoney, Rachel Morrison, Jessica Yu, Thomas Carter, Jennifer Getzinger, Millicent Shelton
Cinematography by: David Lanzenberg, Michael Grady, John Grillo, Tami Reiker, John Brawley, Jeffrey Waldron
Digital Intermediate Colorist
The Hate U Give (2018)
Directed by: George Tillman Jr.
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Millennium DXL2 Camera
Digital Intermediate Colorist
On the Basis of Sex (2018)
Directed by: Mimi Leder
Cinematography by: Michael Grady
Edited by: Michelle Tesoro
Senior Colorist
'Narcos' The Cali KGB (2017)
Directed by: Andrés Baiz
Cinematography by: Juan Carlos Gil
Edited by: Trevor Baker
Senior Colorist
'Narcos' The Kingpin Strategy (2017)
Directed by: Andrés Baiz
Cinematography by: Juan Carlos Gil
Edited by: Matthew Colonna
Senior Colorist
'Narcos' Follow the Money (2017)
Directed by: Gabriel Ripstein
Edited by: Chris McCaleb
Senior Colorist
'Narcos' MRO (2017)
Directed by: Josef Kubota Wladyka
Cinematography by: Juan Carlos Gil
Senior Colorist
'Narcos' Best Laid Plans (2017)
Directed by: Josef Kubota Wladyka
Cinematography by: Juan Carlos Gil
Edited by: Chris McCaleb
Senior Colorist
'Narcos' Todos Los Hombres del Presidente (2017)
Directed by: Andrés Baiz
Cinematography by: Juan Carlos Gil
Senior Colorist
'Narcos' Going Back to Cali (2017)
Directed by: Andrés Baiz
Cinematography by: Juan Carlos Gil
Digital Intermediate Artist
Don't Breathe (2016)
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Cameras: ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens
Digital Intermediate Colorist
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Digital Intermediate Colorist
The Boy (2016)
Directed by: William Brent Bell
Cinematography by: Daniel Pearl
Edited by: Brian Berdan
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Hawk Vantage One Lenses
Senior Colorist
'Narcos' Exit El Patrón (2016)
Directed by: Gerardo Naranjo
Edited by: Matthew Colonna
Senior Colorist
'Narcos' The Enemies of My Enemy (2016)
Directed by: Josef Kubota Wladyka
Edited by: Luis Carballar
Senior Colorist
'Narcos' The Good, the Bad, and the Dead (2016)
Directed by: Andrés Baiz
Edited by: Matthew Colonna
Senior Colorist
'Narcos' The Palace in Flames (2015)
Directed by: Guillermo Navarro
Edited by: Luis Carballar
Senior Colorist
'Narcos' The Men of Always (2015)
Directed by: Guillermo Navarro
Edited by: Alex Marquez
Senior Colorist
'Narcos' There Will Be a Future (2015)
Directed by: Andrés Baiz
Edited by: Matthew Colonna
Senior Colorist
'Narcos' You Will Cry Tears of Blood (2015)
Directed by: Fernando Coimbra
Edited by: Matthew Colonna
Senior Colorist
'Narcos' La Gran Mentira (2015)
Directed by: Fernando Coimbra
Edited by: Luis Carballar
Senior Colorist - 30 Episodes, 2015-2017
Narcos (2015)
Directed by: Andrés Baiz, Josef Kubota Wladyka, Fernando Coimbra, Gerardo Naranjo, Guillermo Navarro, José Padilha, Gabriel Ripstein
Cinematography by: Adrian Teijido, Mauricio Vidal, Carmen Cabana, Juan Carlos Gil, Lula Carvalho, Luis David Sansans
Digital Intermediate Colorist
I, Frankenstein (2014)
Directed by: Stuart Beattie
Cinematography by: Ross Emery
Edited by: Marcus D'Arcy
Cameras: Red Epic Camera
Digital Intermediate Artist
The Purge: Anarchy (2014)
Directed by: James DeMonaco
Cinematography by: Jacques Jouffret
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
Digital Intermediate Artist
Lost River (2014)
Directed by: Ryan Gosling
Cinematography by: Benoît Debie
Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses
Digital Intermediate Colorist
The Purge (2013)
Directed by: James DeMonaco
Cinematography by: Jacques Jouffret
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Digital Intermediate Colorist
The Hangover Part III (2013)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Digital Intermediate Colorist
Gone (2012)
Directed by: Heitor Dhalia
Cinematography by: Michael Grady
Edited by: John Axelrad
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Colorist: Company 3
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Digital Intermediate Colorist: Company 3
The Sessions (2012)
Directed by: Ben Lewin
Cinematography by: Geoffrey Simpson
Edited by: Lisa Bromwell
Cameras: Red One MX Camera
Digital Intermediate Colorist: Company 3
This Means War (2012)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Digital Intermediate Colorist
One for the Money (2012)
Directed by: Julie Anne Robinson
Cinematography by: Jim Whitaker
Edited by: Lisa Zeno Churgin
Digital Intermediate Colorist
Stand Up Guys (2012)
Directed by: Fisher Stevens
Cinematography by: Michael Grady
Edited by: Mark Livolsi
Cameras: Red Epic Camera
Digital Intermediate Colorist
The Mechanic (2011)
Directed by: Simon West
Cinematography by: Eric Schmidt
Digital Intermediate Colorist
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Digital Intermediate Colorist
The Change-Up (2011)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Digital Intermediate Colorist
The Lincoln Lawyer (2011)
Directed by: Brad Furman
Cinematography by: Lukas Ettlin
Edited by: Jeff McEvoy
Cameras: Red One MX Camera
Digital Intermediate Colorist
Circumstance (2011)
Directed by: Maryam Keshavarz
Cinematography by: Brian Rigney Hubbard
Edited by: Andrea Chignoli
Hd Colorist
'Hawaii Five-0' Pilot (2010)
Directed by: Len Wiseman
Cinematography by: Gabriel Beristain
Edited by: Nicolas De Toth
Hd Colorist - 1 Episode, 2010
Hawaii Five-0 (2010)
Directed by: Bryan Spicer, Jerry Levine, Maja Vrvilo, Peter Weller, Larry Teng, Joe Dante, Steve Boyum, Eagle Egilsson, Brad Turner, Sylvain White, Jeffrey G. Hunt, Duane Clark, Brad Tanenbaum, Frederick E.O. Toye, Matt Earl Beesley, Eric Laneuville, Stephen Herek, Carlos Bernard, Ron Underwood, Bronwen Hughes, Roderick Davis, Paul A. Edwards, Chris Fisher, Christine Moore, Allison Liddi-Brown, Jeff Cadiente, Bobby Roth, Jennifer Lynch, Jim Jost, Antonio Negret, Krishna Rao, Tara Miele, Gabriel Beristain, Alex O'Loughlin, Karen Gaviola, Elodie Keene, James Whitmore Jr., Len Wiseman, Alex Zakrzewski, Jeff T. Thomas, Kate Woods, Gwyneth Horder-Payton, Steven DePaul, John Terlesky, Hanelle M. Culpepper, Daniel Dae Kim, Joel Surnow, James Wilcox, Ruba Nadda, Elizabeth Allen Rosenbaum, David Straiton, Carl Weathers
Cinematography by: James L. Carter, Krishna Rao, Michael Martinez, Kurt Jones, Alan Caso, Newton TerMeer, Ronald Víctor García, Donald E. Thorin Jr., Gabriel Beristain
Edited by: Roderick Davis, Maja Vrvilo, John A. Keris, James Wilcox, Johnathon Pensky, Scott Powell, Harry B. Miller III, Casey O. Rohrs, Peter Basinski, Scott Gamzon, Andrew Charlton, Paul Fontaine, Roy C. Poole, Douglas Clark, Nicolas De Toth, Elisa Cohen, Felicia Mignon Livingston, Christopher Oakes, John Gilbert
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Digital Intermediate Colorist
Faster (2010)
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Edited by: Dirk Westervelt
Digital Intermediate Colorist
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Digital Film Colorist: Riot Santa Monica
Underworld: Rise of the Lycans (2009)
Directed by: Patrick Tatopoulos
Cinematography by: Ross Emery
Cameras: Panavision Genesis Camera, Red One Camera
Digital Intermediate Colorist
Hotel for Dogs (2009)
Directed by: Thor Freudenthal
Cinematography by: Michael Grady
Edited by: Sheldon Kahn
Digital Intermediate Colorist
Untraceable (2008)
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
Digital Film Colorist
Henry Poole Is Here (2008)
Directed by: Mark Pellington
Cinematography by: Eric Schmidt
Edited by: Lisa Zeno Churgin
Digital Film Colorist
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Digital Intermediate Colorist: Company 3
Feast of Love (2007)
Directed by: Robert Benton
Cinematography by: Kramer Morgenthau
Edited by: Andrew Mondshein
Digital Intermediate Colorist
Two Weeks (2006)
Directed by: Steve Stockman
Cinematography by: Stephen Kazmierski
Edited by: Debra Chiate
Digital Intermediate Colorist
Stephanie Daley (2006)
Directed by: Hilary Brougher
Cinematography by: David Rush Morrison
Edited by: Keith Reamer
Digital Intermediate Colorist
House of Flying Daggers (2004)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Lenses: Cooke Lenses, Zeiss Lenses
Digital Intermediate Colorist
Thunderstruck (2004)
Directed by: Darren Ashton
Cinematography by: Geoffrey Hall
Edited by: Martin Connor
Digital Film Colorist
Travelers and Magicians (2003)
Directed by: Khyentse Norbu
Cinematography by: Alan Kozlowski
Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera
Digital Intermediate Colorist
Garage Days (2002)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
