Colorist: Dailies
'The Last Dance' Episode I (2020)
Directed by: Jason Hehir
Cinematography by: Thomas McCallum
Colorist: Dailies
'The Last Dance' Episode II (2020)
Directed by: Jason Hehir
Cinematography by: Thomas McCallum
Colorist: Dailies
'The Last Dance' Episode III (2020)
Directed by: Jason Hehir
Cinematography by: Thomas McCallum
Colorist: Dailies
'The Last Dance' Episode V (2020)
Directed by: Jason Hehir
Cinematography by: Thomas McCallum
Colorist: Dailies
'The Last Dance' Episode IV (2020)
Directed by: Jason Hehir
Cinematography by: Thomas McCallum
Colorist: Dailies - 10 Episodes, 2020
The Last Dance (2020)
Directed by: Jason Hehir
Cinematography by: Thomas McCallum
Cameras: Aaton XTR Camera
Colorist: Dailies
'The Last Dance' Episode VII (2020)
Directed by: Jason Hehir
Cinematography by: Thomas McCallum
Colorist: Dailies
'The Last Dance' Episode VI (2020)
Directed by: Jason Hehir
Cinematography by: Thomas McCallum
Colorist: Dailies
'The Last Dance' Episode VIII (2020)
Directed by: Jason Hehir
Cinematography by: Thomas McCallum
Colorist: Dailies
'The Last Dance' Episode IX (2020)
Directed by: Jason Hehir
Cinematography by: Thomas McCallum
Colorist: Dailies
'The Last Dance' Episode X (2020)
Directed by: Jason Hehir
Cinematography by: Thomas McCallum
Colorist: Dailies
Uncut Gems (2019)
Cinematography by: Darius Khondji
Dailies: Colorist
Vox Lux (2018)
Directed by: Brady Corbet
Cinematography by: Lol Crawley
Edited by: Matthew Hannam
Cameras: ARRICAM Lite (LT) Camera
Colorist: Dailies
If Beale Street Could Talk (2018)
Directed by: Barry Jenkins
Cinematography by: James Laxton
Cameras: ARRI ALEXA 65 Camera
Lenses: ARRI Rental Prime DNA Lenses
Digital Dailies Colorist
A Walk Among the Tombstones (2014)
Directed by: Scott Frank
Cinematography by: Mihai Malaimare Jr.
Edited by: Jill Savitt
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Digital Dailies Colorist
This Is Where I Leave You (2014)
Directed by: Shawn Levy
Cinematography by: Terry Stacey
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA XT Camera
Hd Dailies Colorist
St. Vincent (2014)
Directed by: Theodore Melfi
Cinematography by: John Lindley
Editing System: Avid Editing System
Colorist: High Definition Dailies
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Digital Dailies Colorist
Winter's Tale (2014)
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Colorist: High Definition Dailies
Moonrise Kingdom (2012)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Aaton A-Minima Camera, Aaton Xterà Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Hd Dailies Colorist
Lincoln (2012)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Colorist: Dailies
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Colorist: High Definition Dailies
Arthur (2011)
Directed by: Jason Winer
Cinematography by: Uta Briesewitz
Edited by: Brent White
Colorist: High Definition Dailies
The Sitter (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Video Dailies Colorist
The Adjustment Bureau (2011)
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
Colorist: High Definition Dailies
When in Rome (2010)
Directed by: Mark Steven Johnson
Cinematography by: John Bailey
Colorist: High Definition Dailies
Just Wright (2010)
Directed by: Sanaa Hamri
Cinematography by: Terry Stacey
Edited by: Melissa Kent
Colorist: Dailies
The Fighter (2010)
Directed by: David O. Russell
Cinematography by: Hoyte Van Hoytema
Edited by: Pamela Martin
Colorist: High Definition Dailies
Fighting (2009)
Directed by: Dito Montiel
Cinematography by: Stefan Czapsky
Colorist: High Definition Dailies
The Blind Side (2009)
Directed by: John Lee Hancock
Cinematography by: Alar Kivilo
Edited by: Mark Livolsi
Lenses: Zeiss Master Prime Lenses
Colorist: Dailies
Cadillac Records (2008)
Directed by: Darnell Martin
Cinematography by: Anastas N. Michos
Edited by: Peter C. Frank
Colorist: High Definition Dailies
The Happening (2008)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
High Definition Film Colorist
The Sisterhood of the Traveling Pants 2 (2008)
Directed by: Sanaa Hamri
Cinematography by: Jim Denault
Edited by: Melissa Kent
Dailies Colorist
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Dailies Colorist
Reservation Road (2007)
Directed by: Terry George
Cinematography by: John Lindley
Edited by: Naomi Geraghty
Colorist: Dailies
The Night Listener (2006)
Directed by: Patrick Stettner
Cinematography by: Lisa Rinzler
Edited by: Andy Keir
Dailies Colorist
The Last Winter (2006)
Directed by: Larry Fessenden
Cinematography by: G. Magni Ágústsson
Edited by: Larry Fessenden
Dailies Colorist
Bomb the System (2002)
Directed by: Adam Bhala Lough
Cinematography by: Ben Kutchins
Edited by: Jay Rabinowitz
