CG Supervisor: Mill Film
Cats (2019)
Directed by: Tom Hooper
Cinematography by: Christopher Ross
Edited by: Melanie Oliver
Cameras: ARRI ALEXA 65 Camera
Senior Digital Groomer: Method Studios
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Fur Artist: Digital Domain
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Character Effects Artist: Digital Domain, Groom Artist: Digital Domain
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Fur Groomer Modeller: Weta Digital
War for the Planet of the Apes (2017)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Fur Groomer:weta Digital
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Fur Groomer: Weta Digital
Pete's Dragon (2016)
Directed by: David Lowery
Cinematography by: Bojan Bazelli
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke Anamorphic/i Prime Lenses
Fur Groomer: Weta Digital
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Lead Technical Animator: MPC
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Senior Fur Technical Director
Rio 2 (2014)
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Senior Lighting/grooming Artist: Mokko Studio / Texture Artist: Mokko Studio
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Lighting Artist: Grooming Artist, Mikros Image Canada
Astérix and Obélix: God Save Britannia (2012)
Directed by: Laurent Tirard
Edited by: Valérie Deseine
Cameras: ARRI ALEXA Camera
Lighting Artist: MPC
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Digital Artist: MPC
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Light/look Development Technical Director: Rising Sun Pictures
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Grooming/look Development Technical Director: Framestore CFC
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Cloth Hair Technical Director: Framestore CFC / Creature Technical Director: Framestore CFC
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Cloth Technical Director: Framestore CFC
Underdog (2007)
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Visual Effects Mel Script Camera Rig: Mokko Studio
The Fountain (2006)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Visual Effects Consultant: Mokko Studio
Cursed (2005)
Directed by: Wes Craven
Cinematography by: Robert McLachlan
