Head Of Post Operations
Sound of Metal (2019)
Directed by: Darius Marder
Cinematography by: Daniël Bouquet
Edited by: Mikkel E.G. Nielsen
Cameras: Aaton Penelope Camera
Editing System: Avid Editing System
Post Production Executive
The Aeronauts (2019)
Directed by: Tom Harper
Cinematography by: George Steel
Edited by: Mark Eckersley
Cameras: Red Monstro 8K Camera
Head Of Post Operations
Seberg (2019)
Directed by: Benedict Andrews
Cinematography by: Rachel Morrison
Edited by: Pamela Martin
Post Production Executive
Suspiria (2018)
Directed by: Luca Guadagnino
Cinematography by: Sayombhu Mukdeeprom
Edited by: Walter Fasano
Post Production Executive
Life Itself (2018)
Directed by: Dan Fogelman
Cinematography by: Brett Pawlak
Edited by: Julie Monroe
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Cooke Panchro/i Classic Lenses
Post-production Executive
You Were Never Really Here (2017)
Directed by: Lynne Ramsay
Cinematography by: Thomas Townend
Edited by: Joe Bini
Cameras: ARRI ALEXA XT Series Cameras
Post Production Executive
The Handmaiden (2016)
Directed by: Park Chan-wook
Cinematography by: Chung-hoon Chung
Cameras: ARRI ALEXA XT Camera
Post Production Executive
Manchester by the Sea (2016)
Directed by: Kenneth Lonergan
Cinematography by: Jody Lee Lipes
Edited by: Jennifer Lame
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Lenses, Canon K35 Prime Lenses
Post Production Executive
Forushande (2016)
Directed by: Asghar Farhadi
Cinematography by: Hossein Jafarian
Edited by: Hayedeh Safiyari
Cameras: ARRI ALEXA XT Camera
Digital Intermediate Producer: Post-production
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Digital Intermediate Producer / Digital Intermediate Producer: Dailies
John Wick (2014)
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Digital Intermediate Producer
Gone Girl (2014)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: Kirk Baxter
Cameras: Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Adobe Premiere Editing System
Digital Intermediate Administrator
Big Sur (2013)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Cameras: Red Epic Camera, Red One Camera
Digital Intermediate Administration: Light Iron
In a World... (2013)
Directed by: Lake Bell
Cinematography by: Seamus Tierney
Edited by: Tom McArdle
Cameras: Red Epic Camera
Lenses: Hawk C-Series Lenses
Digital Intermediate Producer
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Digital Intermediate Producer Assistant
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Digital Intermediate Administration
Odd Thomas (2013)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Edited by: David Checel
Cameras: Red Epic Camera
Digital Intermediate Producer Assistant
Dark Skies (2013)
Directed by: Scott Stewart
Cinematography by: David Boyd
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Digital Intermediate Adminsitration
TimeScapes (2012)
Directed by: Tom Lowe
Cinematography by: Tom Lowe
Edited by: Tom Lowe
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red Epic Camera, Red One MX Camera
Editing System: Adobe Premiere Editing System
Digital Intermediate Post Producer
Where the Trail Ends (2012)
Directed by: Jeremy Grant
Cinematography by: Brad McGregor
Digital Intermediate Producer Assistant
Hitchcock (2012)
Directed by: Sacha Gervasi
Cinematography by: Jeff Cronenweth
Edited by: Pamela Martin
Cameras: Red Epic Camera
