Post-production Coordinator
'Criminal Minds' Extreme Aggressor (2005)
Directed by: Richard Shepard
Cinematography by: Alex Nepomniaschy
Edited by: Peter B. Ellis
Post-production Coordinator - 1 Episode, 2005
Criminal Minds (2005)
Directed by: Glenn Kershaw, Félix Enríquez Alcalá, Rob Bailey, Edward Allen Bernero, Matthew Gray Gubler, John Gallagher, Guy Norman Bee, Larry Teng, Joe Mantegna, Alec Smight, Rob Spera, Charles S. Carroll, Douglas Aarniokoski, Charles Haid, Rob Hardy, Tawnia McKiernan, Diana Valentine, Nelson McCormick, Karen Gaviola, Thomas Gibson, Steve Boyum, Gloria Muzio, Anna Foerster, John Terlesky, Michael Lange, Matt Earl Beesley, Bethany Rooney, Laura Belsey, Hanelle M. Culpepper, Gwyneth Horder-Payton, Jesse Warn, Christoph Schrewe, Sharat Raju, Simon Mirren, Richard Shepard, Andy Wolk, Tim Matheson, Adam Davidson, Bobby Roth, Michael W. Watkins, Dermott Downs, Constantine Makris, Marcus Stokes, Leon Ichaso, Aisha Tyler, Lily Mariye, Adam Rodriguez, Kevin Bray, Ernest R. Dickerson, Peter Ellis, Elodie Keene, Chris Long, Paul Shapiro, J. Miller Tobin, Thomas J. Wright, Steve Shill, John F. Showalter, Skipp Sudduth, Jesús Salvador Treviño, Paul Michael Glaser, Anthony Hemingway, Jason Alexander, John Badham, Jon Cassar, Jan Eliasberg, Rosemary Rodriguez, Guy Ferland, Ali Selim, John T. Kretchmer, Robert Lieberman, Alrick Riley, Heather Cappiello, Carlos Bernard, Oz Scott, A.J. Cook
Edited by: Jimmy Hill, Nina M. Gilberti, Hibah Schweitzer, Michael Schweitzer, Farrel Levy, Adam Wolfe, Jimmy Giritlian, Fred Peterson, Joel Rice, Tamara Luciano, Chris Peppe, Peter B. Ellis, Lisa Bromwell, Eli Nilsen, Dana B. Wilson, Randy Jon Morgan
Post-production Coordinator
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Post-production Coordinator
Win a Date with Tad Hamilton! (2004)
Directed by: Robert Luketic
Cinematography by: Peter Lyons Collister
Edited by: Scott Hill
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Post-production Supervisor
House of Sand and Fog (2003)
Directed by: Vadim Perelman
Cinematography by: Roger Deakins
Edited by: Lisa Zeno Churgin
Lenses: Cooke S4 Lenses
Post-production Coordinator
Catch Me If You Can (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Post-production Coordinator
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Post-production Coordinator
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Post-production Coordinator
Road to Perdition (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Post-production Coordinator
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Post-production Coordinator
The Mexican (2001)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Craig Wood
Cameras: Panavision Cameras
Post-production Coordinator
The Contender (2000)
Directed by: Rod Lurie
Cinematography by: Denis Maloney
Edited by: Michael Jablow
Post-production Coordinator
Road Trip (2000)
Directed by: Todd Phillips
Cinematography by: Mark Irwin
Edited by: Sheldon Kahn
Post-production Coordinator
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Post-production Coordinator
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Post-production Coordinator
Forces of Nature (1999)
Directed by: Bronwen Hughes
Edited by: Craig Wood
Cameras: Panavision Cameras
Post-production Coordinator: Ireland
Saving Private Ryan (1998)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Post-production Coordinator
Amistad (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Lenses: Zeiss Super Speed Lenses
Staff Assistant
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Accounting Staff Assistant
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Production Assistant
Larger Than Life (1996)
Directed by: Howard Franklin
Cinematography by: Elliot Davis
Edited by: Sidney Levin
Post-production - 2002 Special Version
E.T. the Extra-Terrestrial (1982)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Carol Littleton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
