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The Meg | ShotOnWhat?

Digital Artist: Sony Pictures Imageworks

The Meg (2018)

Directed by: Jon Turteltaub

Cinematography by: Tom Stern

Edited by: Steven Kemper, Kelly Matsumoto

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Spider-Man: Into the Spider-Verse | ShotOnWhat?

Effects Technical Director

Spider-Man: Into the Spider-Verse (2018)

Directed by: Bob Persichetti, Peter Ramsey, Rodney Rothman

Edited by: Robert Fisher Jr.

Spider-Man: Homecoming | ShotOnWhat?

Effects Technical Director, Fx Animation Artist: Sony Pictures Imageworks

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Ice Age: Collision Course | ShotOnWhat?

Effects Technical Director

Ice Age: Collision Course (2016)

Directed by: Mike Thurmeier, Galen T. Chu

Cinematography by: Renato Falcão

Edited by: Erin Crackel, James Palumbo

Oz the Great and Powerful | ShotOnWhat?

Effects Technical Director

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Men in Black 3 | ShotOnWhat?

Effects Animator

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Smurfs | ShotOnWhat?

Effect Animator

The Smurfs (2011)

Directed by: Raja Gosnell

Cinematography by: Phil Meheux

Edited by: Ellier Dov, Sabrina Plisco

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Classic Spherical Lenses

Editing System: Avid Editing System

Marmaduke | ShotOnWhat?

Effects Animator

Marmaduke (2010)

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

Speed Racer | ShotOnWhat?

Effects Technical Director

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

Surf's Up | ShotOnWhat?

Digital Effects Animator

Surf's Up (2007)

Directed by: Ash Brannon, Chris Buck

Edited by: Ivan Bilancio, Nancy Frazen

Superman Returns | ShotOnWhat?

Digital Effects Artist: Rhythm & Hues

Superman Returns (2006)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Spider-Man 2 | ShotOnWhat?

Digital Effects Animator

Spider-Man 2 (2004)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Daredevil | ShotOnWhat?

Digital Effects Artist

Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

The Cat in the Hat | ShotOnWhat?

Digital Effects Artist

The Cat in the Hat (2003)

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Core | ShotOnWhat?

Visual Effects: Trafalgar Bird Effects, 3DSite

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Spider-Man | ShotOnWhat?

Effects Animation

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Scary Movie 2 | ShotOnWhat?

3d Artist: Digiscope

Scary Movie 2 (2001)

Directed by: Keenen Ivory Wayans

Cinematography by: Steven Bernstein

Edited by: Thomas J. Nordberg, Richard Pearson, Peter Teschner

Zoolander | ShotOnWhat?

Digital Effects Animator: Digiscope

Zoolander (2001)

Directed by: Ben Stiller

Cinematography by: Barry Peterson

Edited by: Greg Hayden

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Titanic | ShotOnWhat?

Digital Paraphernalia Artist: Digital Domain

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Fifth Element | ShotOnWhat?

Digital Sequence Supervisor

The Fifth Element (1997)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Sylvie Landra

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses: Zeiss Lenses

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