Dan Perry

  25 Titles
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Scanning And Recording

The Duchess  (2008)

| UK, Italy, France, USA
Directed by: Saul Dibb
Cinematography by: Gyula Pados

Scanning And Recording: Framestore CFC

Death at a Funeral  (2007)

| USA, Germany, UK, Netherlands
Directed by: Frank Oz
Cinematography by: Oliver Curtis
Edited by: Beverley Mills
Cameras:
Lenses:

Deputy Shoot Supervisor: Framestore CFC

Stardust  (2007)

| UK, USA, Iceland
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris

Scanning And Recording: Framestore CFC

Hot Fuzz  (2007)

| UK, France, USA
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens

Scanning And Recording Operator: Framestore CFC

Love in the Time of Cholera  (2007)

| USA
Directed by: Mike Newell
Cinematography by: Affonso Beato
Edited by: Mick Audsley

Scanning And Recording: Framestore CFC

Hannibal Rising  (2007)

| UK, Czech Republic, France, Italy
Directed by: Peter Webber
Cinematography by: Ben Davis

Film Recording Assistant: Framestore CFC

Flyboys  (2006)

| UK, USA
Directed by: Tony Bill
Cinematography by: Henry Braham

Scanning And Recording: Framestore CFC (uncredited)

Casino Royale  (2006)

| UK, Czech Republic, USA, Germany, Bahamas
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird

Scanning And Recording: Framestore CFC

The Last King of Scotland  (2006)

| UK, Germany
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright

Film Recording Supervisor: Framestore CFC

Basic Instinct 2  (2006)

| UK, Germany, Spain, USA
Directed by: Michael Caton-Jones
Cinematography by: Gyula Pados

Scanning And Recording: Framestore CFC (uncredited)

United 93  (2006)

| USA, UK, France
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System:

Scanning: Recording And Digital Cleanup: Framestore CFC

The Constant Gardener  (2005)

| UK, Germany, USA, China
Directed by: Fernando Meirelles
Cinematography by: César Charlone
Edited by: Claire Simpson

Recording Supervisor: Framestore CFC

Breakfast on Pluto  (2005)

| Ireland, UK
Directed by: Neil Jordan
Cinematography by: Declan Quinn
Edited by: Tony Lawson

Deputy Shoot Supervisor: Framestore CFC

The League of Gentlemen's Apocalypse  (2005)

| UK, Ireland, USA
Directed by: Steve Bendelack
Cinematography by: Rob Kitzmann
Edited by: Tony Cranstoun

Scanning And Recording: Framestore CFC

Lassie  (2005)

| USA, France, Ireland, UK
Directed by: Charles Sturridge
Cinematography by: Howard Atherton

Deputy Shoot Supervisor: Framestore CFC (uncredited)

Nanny McPhee  (2005)

| USA, UK, France
Directed by: Kirk Jones
Cinematography by: Henry Braham

Scanning: Digital Clean Up And Shoot, Framestore CFC

Sahara  (2005)

| UK, Spain, Germany, USA
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey

Scanning And Recording & Digital Cleanup: Framestore CFC

The Proposition  (2005)

| Australia, UK
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Jon Gregory

Scanning: Digital Clean Up And Shoot, Framestore CFC

Bridget Jones: The Edge of Reason  (2004)

| UK, France, Germany, Ireland, USA
Directed by: Beeban Kidron
Cinematography by: Adrian Biddle
Edited by: Greg Hayden

Scanning: Digital Clean-up And Shoot: Framestore CFC

The Libertine  (2004)

| UK, Australia
Directed by: Laurence Dunmore
Cinematography by: Alexander Melman
Edited by: Jill Bilcock

Digital Lab Operator

Thunderbirds  (2004)

| UK, France, USA
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh

Scanning: Digital Clean Up And Shoot

Beyond the Sea  (2004)

| USA, Germany, UK
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite

Digital Lab Operator

Underworld  (2003)

| UK, Germany, Hungary, USA
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter

Systems Support: Framestore CFC (uncredited)

Harry Potter and the Chamber of Secrets  (2002)

| UK, USA, Germany
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess

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