Sarah Fuller

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"Monarch: Legacy of Monsters" Parallels and Interiors | ShotOnWhat?

CG Supervisor

'Monarch: Legacy of Monsters' Parallels and Interiors (2023)

Television Episode

Directed by: Julian Holmes

Cinematography by: Jean-Philippe Gossart

Edited by: Emily Streetz

"Monarch: Legacy of Monsters" Secrets and Lies | ShotOnWhat?

CG Supervisor

'Monarch: Legacy of Monsters' Secrets and Lies (2023)

Television Episode

Directed by: Julian Holmes

Cinematography by: Jean-Philippe Gossart

Edited by: Emily Streetz

Monarch: Legacy of Monsters | ShotOnWhat?

CG Supervisor - 2 Episodes, 2023

Monarch: Legacy of Monsters (2023)

TV Series

Directed by: Mairzee Almas, Julian Holmes, Hiromi Kamata, Matt Shakman, Andy Goddard

Cinematography by: Daryl Hartwell, Chris Seager, Jean-Philippe Gossart, Jess Hall, Sam McCurdy

Edited by: Joe Talbot Hall, Mark Hartzell, Nona Khodai, Emily Streetz

The Lord of the Rings: The Rings of Power | ShotOnWhat?

Asset Supervisor - 6 Episodes, 2022

The Lord of the Rings: The Rings of Power (2022)

Television Series

Directed by: Wayne Yip, J.A. Bayona, Charlotte Brändström

Cinematography by: Aaron Morton, Alex Disenhof, Oscar Faura

Edited by: Jochen FitzHerbert, Jaume Martí, Bernat Vilaplana, Stefan Grube, Cheryl Potter

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses

Ford v Ferrari | ShotOnWhat?

Lead Look Development Artist

Ford v Ferrari (2019)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Kin | ShotOnWhat?

Digital Artist: Image Engine

Kin (2018)

Directed by: Jonathan Baker, Josh Baker

Cinematography by: Larkin Seiple

Edited by: Mark Day

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Tully | ShotOnWhat?

Digital Artist

Tully (2018)

Directed by: Jason Reitman

Cinematography by: Eric Steelberg

Edited by: Stefan Grube

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Thor: Ragnarok | ShotOnWhat?

Digital Artist

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Logan | ShotOnWhat?

Digital Artist

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Lookdev Artist

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Kingsglaive: Final Fantasy XV | ShotOnWhat?

Look Development Artist

Kingsglaive: Final Fantasy XV (2016)

Directed by: Takeshi Nozue

Assassin's Creed | ShotOnWhat?

Lookdev Artist

Assassin's Creed (2016)

Directed by: Justin Kurzel

Cinematography by: Adam Arkapaw

Edited by: Christopher Tellefsen

Cameras: ARRI ALEXA 65 Camera

Chappie | ShotOnWhat?

Visual Effects Artist

Chappie (2015)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Mark Goldblatt

Cameras: Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Seventh Son | ShotOnWhat?

Lighting Technical Director

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Teenage Mutant Ninja Turtles | ShotOnWhat?

Environment Technical Director: Image Engine / Lighting Technical Director

Teenage Mutant Ninja Turtles (2014)

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

300: Rise of an Empire | ShotOnWhat?

Lighting Technical Director

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Percy Jackson: Sea of Monsters | ShotOnWhat?

Look Development Artist

Percy Jackson: Sea of Monsters (2013)

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Thor: The Dark World | ShotOnWhat?

Lighting Technical Director

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Man of Steel | ShotOnWhat?

Lighting Technical Director

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Total Recall | ShotOnWhat?

Lighting Technical Director

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Wrath of the Titans | ShotOnWhat?

Lighting Technical Director

Wrath of the Titans (2012)

Directed by: Jonathan Liebesman

Cinematography by: Ben Davis

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Dark Shadows | ShotOnWhat?

Lighting Technical Director

Dark Shadows (2012)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

John Carter | ShotOnWhat?

Digital Artist: MPC

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Harry Potter and the Deathly Hallows: Part 2 | ShotOnWhat?

Look Development/lighting Artist

Harry Potter and the Deathly Hallows: Part 2 (2011)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Clash of the Titans | ShotOnWhat?

Lighting Technical Director

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Chronicles of Narnia: The Voyage of the Dawn Treader | ShotOnWhat?

Look Development/lighting Artist

The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Directed by: Michael Apted

Cinematography by: Dante Spinotti

Edited by: Rick Shaine

Cameras: Sony CineAlta F23 Camera

Editing System: Avid Editing System

Alvin and the Chipmunks: The Squeakquel | ShotOnWhat?

Look Development Artist

Alvin and the Chipmunks: The Squeakquel (2009)

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Pre-lighter: Rhythm & Hues Studios

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Cirque du Freak: The Vampire's Assistant | ShotOnWhat?

Scene Lighter

Cirque du Freak: The Vampire's Assistant (2009)

Directed by: Paul Weitz

Cinematography by: James M. Muro

Edited by: Leslie Jones

The Incredible Hulk | ShotOnWhat?

Scene Lighter

The Incredible Hulk (2008)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

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