Digital Matte Painter
'The Crown' Fagan (2020)
Directed by: Paul Whittington
Cinematography by: Adriano Goldman
Edited by: Ben Yeates
Digital Matte Painter
'The Crown' 48:1 (2020)
Directed by: Julian Jarrold
Cinematography by: Stuart Howell
Edited by: Mark Davis
Digital Matte Painter
'The Crown' Avalanche (2020)
Directed by: Jessica Hobbs
Cinematography by: Ben Wilson
Edited by: Paulo Pandolpho
Digital Matte Painter
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Concept Artist
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Lead Digital Matte Painter
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Lead Digital Matte Painter
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Digital Matte Painter
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Digital Matte Painter
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Digital Matte Painter
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Digital Matte Painter
Winter's Tale (2014)
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Digital Matte Painter: Lipsync Post
Calvary (2014)
Directed by: John Michael McDonagh
Cinematography by: Larry Smith
Edited by: Chris Gill
Cameras: ARRI ALEXA Series Cameras
Digital Matte Painter: Lipsync Post
Great Expectations (2012)
Directed by: Mike Newell
Cinematography by: John Mathieson
Edited by: Tariq Anwar
Digital Matte Painter: LipSync Post
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Digital Matte Painter: LipSync Post
Byzantium (2012)
Directed by: Neil Jordan
Cinematography by: Sean Bobbitt
Edited by: Tony Lawson
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Master Prime Lenses
Digital Matte Painter: Lipsync Post
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
