Compositor - 1 Episode, 2018
The Resident (2018)
Directed by: Rob Corn, David Crabtree, Bronwen Hughes, James Roday, Paul McCrane, Jann Turner, Phillip Noyce, Thomas Carter, Bill D'Elia, Rob Greenlea, Geary McLeod, David Rodriguez, Elizabeth Allen Rosenbaum, Nicole Rubio, James Whitmore Jr., Satya Bhabha, John Brawley, Timothy A. Good, Robert Duncan McNeill, Edward Ornelas, Valerie Weiss, Kelli Williams
Edited by: Timothy A. Good, William Paley, Nicole Vaskell, Greg Babor, Amanda Panella, Emily Mendez, Patrick McMahon
Cameras: ARRI ALEXA Mini Camera, Blackmagic Micro Cinema Camera, Blackmagic Pocket Cinema 4K Camera, Blackmagic URSA Mini Pro 4.6K G2 Camera, Blackmagic URSA Mini Pro Camera
Lenses: Leitz Summicron-C 135 mm T2.0 Lens, Leitz Summicron-C 18 mm T2.0 Lens, Leitz Summicron-C 21 mm T2.0 Lens, Leitz Summicron-C 25 mm T2.0 Lens, Leitz Summicron-C 29 mm T2.0 Lens, Leitz Summicron-C 35 mm T2.0 Lens, Leitz Summicron-C 40 mm T2.0 Lens, Leitz Summicron-C 50 mm T2.0 Lens, Leitz Summicron-C 75 mm T2.0 Lens, Panavision Primo Primes Spherical Lenses, SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens, Zeiss Lenses
Editing System: Avid Editing System
Compositor
'The Blacklist' The Director (No. 24): Conclusion (2016)
Directed by: John Terlesky
Cinematography by: Eric Moynier
Edited by: Chris Brookshire
Compositor
'The Blacklist' The Director (No. 24) (2016)
Directed by: Mary Lambert
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Compositor
'The Blacklist' Mr. Gregory Devry (No. 95) (2016)
Directed by: Alex Zakrzewski
Cinematography by: Michael Caracciolo
Edited by: David Post
Paint Artist
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Paint Artist / Stereoscopic Compositor
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Paint Artist
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Compositor
'The Blacklist' Marvin Gerard (No. 80) (2015)
Directed by: Andrew McCarthy
Cinematography by: Eric Moynier
Edited by: David Post
Paint Artist, Stereoscopic Compositor
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Compositor
'The Blacklist' Eli Matchett (No.72) (2015)
Directed by: Steven A. Adelson
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Compositor
'The Blacklist' Kings of the Highway (No. 108) (2015)
Directed by: Terrence O'Hara
Cinematography by: Eric Moynier
Compositor
'The Blacklist' Zal Bin Hasaan (No. 31) (2015)
Directed by: Michael W. Watkins
Edited by: Chris Brookshire
Compositor
'The Blacklist' Sir Crispin Crandall (No. 86) (2015)
Directed by: Ami Canaan Mann
Cinematography by: Eric Moynier
Edited by: Emily Greene
Compositor
'The Blacklist' The Djinn (No. 43) (2015)
Directed by: Omar Madha
Cinematography by: Eric Moynier
Edited by: Chris Brookshire
Depth Artist
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Depth Artist
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Depth Artist
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Depth Artist
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Depth Artist
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Compositor - 10 Episodes, 2015-2016
The Blacklist (2013)
Directed by: Michael W. Watkins, Bill Roe, Andrew McCarthy, Donald E. Thorin Jr., Terrence O'Hara, Steven A. Adelson, John Terlesky, Michael Caracciolo, Karen Gaviola, Kurt Kuenne, Joe Carnahan, Christine Gee, Vincent Misiano, David Platt, Paul A. Edwards, Michael Zinberg, Alex Zakrzewski, Adam T. Weisinger, Jean de Segonzac, Cort Hessler, Solvan Naim, Jace Alexander, Adam Arkin, Nick Gomez, Stephen Surjik, Dan Lerner, Peter Werner, Randy Zisk, Guy Ferland, Omar Madha, Ami Canaan Mann, Michael Waxman, Anton Cropper, Michael Dinner, Eagle Egilsson, Tim Hunter, Mary Lambert, Edward Ornelas, Paul Holahan, Bethany Rooney, Stephanie A. Marquardt, Lin Oeding, Lisa Robinson, Daniel Willis
Cinematography by: Michael Caracciolo, Eric Moynier, Saade Mustafa, Frank Prinzi, Arthur Albert, Yasu Tanida, Peter Reniers
Edited by: Chris Brookshire, David Post, Emily Greene, Nathan Gunn, Orlando Machado Jr., Harvey Rosenstock, Amy M. Fleming, Kevin Hale, Jason Hellmann, Rhett Finch, Eric L. Beason
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System