Pier Lefebvre

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"1923" The War Has Come Home | ShotOnWhat?

Visual Effects Supervisor

'1923' The War Has Come Home (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster

"1923" Nature's Empty Throne | ShotOnWhat?

Visual Effects Supervisor

'1923' Nature's Empty Throne (2022)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster, Byron Smith

"1923" 1923 | ShotOnWhat?

Visual Effects Supervisor

'1923' 1923 (2022)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster

1923 | ShotOnWhat?

Visual Effects Supervisor - 3 Episodes, 2022-2023

1923 (2022)

Television Series

Directed by: Ben Richardson, Guy Ferland

Cinematography by: Corrin Hodgson, Ben Richardson, Robert McLachlan

Edited by: Chad Galster, Byron Smith, Christopher Gay, Brooke Rupe, Todd Desrosiers

Cameras: ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera

Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Leitz Summilux-C Series Lenses

1917 | ShotOnWhat?

Visual Effects Supervisor: MPC

1917 (2019)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Lee Smith

Cameras: ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Editing System: Avid Editing System

Shazam! | ShotOnWhat?

Visual Effects Supervisor: MPC

Shazam! (2019)

Directed by: David F. Sandberg

Cinematography by: Maxime Alexandre

Edited by: Michel Aller

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Zeiss Master Prime Lenses

Ghost in the Shell | ShotOnWhat?

Environment Supervisor: MPC

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Murder on the Orient Express | ShotOnWhat?

Environment Supervisor: MPC

Murder on the Orient Express (2017)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Mick Audsley

Cameras: ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses: Panavision Sphero 65 Series Lenses

X-Men: Apocalypse | ShotOnWhat?

Lead Matte Painter: MPC

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Batman v Superman: Dawn of Justice | ShotOnWhat?

Lead Matte Painter: MPC

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Fifty Shades of Grey | ShotOnWhat?

Lead Matte Painter: MPC

Fifty Shades of Grey (2015)

Directed by: Sam Taylor-Johnson

Cinematography by: Seamus McGarvey

Edited by: Anne V. Coates, Lisa Gunning, Debra Neil-Fisher

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Godzilla | ShotOnWhat?

Lead Matte Painter: MPC

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Lead Matte Painter: MPC

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Seventh Son | ShotOnWhat?

Matte Painter

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

The Amazing Spider-Man 2 | ShotOnWhat?

Concept Artist: MPC

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Ender's Game | ShotOnWhat?

Matte Painter

Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

Jack the Giant Slayer | ShotOnWhat?

Matte Painter

Jack the Giant Slayer (2013)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Lone Ranger | ShotOnWhat?

Matte Painter: MPC

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Man of Steel | ShotOnWhat?

Matte Painter: MPC

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Transformers: Dark of the Moon | ShotOnWhat?

Matte Painter: Digital Domain

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Journey to the Center of the Earth | ShotOnWhat?

Matte Painter

Journey to the Center of the Earth (2008)

Directed by: Eric Brevig

Cinematography by: Chuck Shuman

Edited by: Steven Rosenblum, Paul Martin Smith, Dirk Westervelt

Lost City Raiders | ShotOnWhat?

Matte Painter

Lost City Raiders (2008)

Television Movie

Directed by: Jean de Segonzac

Cinematography by: Giulio Biccari

Edited by: Hans Funck, Scott Powell

Rush Hour 3 | ShotOnWhat?

Matte Painter

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

300 | ShotOnWhat?

Visual Effects

300 (2006)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Editing System: Final Cut Pro Editing System

An American Haunting | ShotOnWhat?

Matte Painter

An American Haunting (2005)

Directed by: Courtney Solomon

Cinematography by: Adrian Biddle

Edited by: Richard Comeau

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