Digital Compositor
Elvis (2022)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera
Digital Compositor
The Nun (2018)
Directed by: Corin Hardy
Cinematography by: Maxime Alexandre
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Visual Effects: Hollywood VFX
A Star Is Born (2018)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Jay Cassidy
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Digital Compositor
The Babysitter (2017)
Directed by: McG
Cinematography by: Shane Hurlbut
Cameras: Red Weapon Dragon Camera
Digital Compositor
It (2017)
Directed by: Andy Muschietti
Cinematography by: Chung-hoon Chung
Edited by: Jason Ballantine
Cameras: ARRI ALEXA Mini Camera
Digital Compositor
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Digital Compositor
How to Be Single (2016)
Directed by: Christian Ditter
Cinematography by: Christian Rein
Edited by: Tia Nolan
Digital Compositor
Get Hard (2015)
Directed by: Etan Cohen
Cinematography by: Tim Suhrstedt
Edited by: Michael L. Sale
Cameras: ARRI ALEXA XT Plus Camera
Digital Compositor
Horrible Bosses 2 (2014)
Directed by: Sean Anders
Cinematography by: Julio Macat
Edited by: Eric Kissack
Cameras: ARRI ALEXA XT Camera
Lenses: Leitz Summilux-C Series Lenses
Compositor
The Baytown Outlaws (2012)
Directed by: Barry Battles
Cinematography by: David McFarland
Edited by: Sean Valla
Cameras: Red One Camera
Digital Compositor
Something Borrowed (2011)
Directed by: Luke Greenfield
Cinematography by: Charles Minsky
Edited by: John Axelrad
Visual Effects Supervisor: Cinesoup
This Is It (2009)
Directed by: Kenny Ortega
Cameras: Red One Camera
Visual Effects Supervisor: Cinesoup
Drag Me to Hell (2009)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Effects Supervisor: Cinesoup / Visual Effects Supervisor
Bangkok Dangerous (2008)
Cinematography by: Decha Srimantra
Visual Effects Supervisor: Cinesoup
The Spirit (2008)
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Digital Effects Artist
K-19: The Widowmaker (2002)
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Additional Production Equipment Provider
Ghosts of Mars (2001)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Paul C. Warschilka
Visual Effects Supervisor: SBS
Star Trek: Insurrection (1998)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Scene Coordinator
TRON (1982)
Directed by: Steven Lisberger
Cinematography by: Bruce Logan
Edited by: Jeff Gourson
Lenses: Panavision Lenses
