Re-recording Mixer
'It's Always Sunny in Philadelphia' The Gang Gets Romantic (2019)
Directed by: Glenn Howerton
Cinematography by: John Tanzer
Edited by: Josh Drisko
Re-recording Mixer
'It's Always Sunny in Philadelphia' Thunder Gun 4: Maximum Cool (2019)
Cinematography by: John Tanzer
Re-recording Mixer
'It's Always Sunny in Philadelphia' Dee Day (2019)
Cinematography by: John Tanzer
Edited by: Trevor Penna
Re-recording Mixer
'It's Always Sunny in Philadelphia' The Gang Solves Global Warming (2019)
Cinematography by: John Tanzer
Re-recording Mixer
'It's Always Sunny in Philadelphia' Waiting for Big Mo (2019)
Cinematography by: John Tanzer
Re-recording Mixer
'It's Always Sunny in Philadelphia' Paddy's Has a Jumper (2019)
Cinematography by: John Tanzer
Re-recording Mixer
'It's Always Sunny in Philadelphia' A Woman's Right to Chop (2019)
Cinematography by: John Tanzer
Re-recording Mixer
'It's Always Sunny in Philadelphia' The Janitor Always Mops Twice (2019)
Directed by: Heath Cullens
Cinematography by: John Tanzer
Re-recording Mixer
'It's Always Sunny in Philadelphia' The Gang Texts (2019)
Directed by: Heath Cullens
Cinematography by: John Tanzer
Re-recording Mixer
'It's Always Sunny in Philadelphia' The Gang Chokes (2019)
Cinematography by: John Tanzer
Sound Stage Mix Technician
John Wick: Chapter 2 (2017)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Evan Schiff
Cameras: ARRI ALEXA XT Plus Camera
Re-recording Mixer
Flock of Four (2017)
Directed by: Gregory Caruso
Cinematography by: Gus Bendinelli
Edited by: Vic Brown
Cameras: ARRI ALEXA XT Plus Camera
Mix Technician
Roman J. Israel, Esq. (2017)
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Mix Technician
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Re-recording Mix Technician
Demolition (2015)
Directed by: Jean-Marc Vallée
Cinematography by: Yves Bélanger
Edited by: Jean-Marc Vallée
Cameras: ARRI ALEXA XT M Camera
Lenses: Zeiss Lenses
Mix Technician
The 33 (2015)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Michael Tronick
Sound Mix Technician
Lost River (2014)
Directed by: Ryan Gosling
Cinematography by: Benoît Debie
Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses
Re-recording Mix Technician
The Book of Life (2014)
Directed by: Jorge R. Gutiérrez
Edited by: Ahren Shaw
Sound Mix Technician: Temp Mixes And Predubs
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Sound Mix Technician
The Canyons (2013)
Directed by: Paul Schrader
Cinematography by: John DeFazio
Edited by: Tim Silano
Cameras: ARRI ALEXA Camera, Canon EOS-7D Camera
Sound Mix Technician
Nebraska (2013)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Lenses: Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses
Editing System: Avid Editing System
Sound Mix Technician
Katy Perry: Part of Me (2012)
Cameras: Red Epic Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Sound Mix Technician
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Recordist
Justin Bieber: Never Say Never (2011)
Directed by: Jon M. Chu
Cinematography by: Reed Smoot
Sound Mix Technician
The Grey (2011)
Directed by: Joe Carnahan
Cinematography by: Masanobu Takayanagi
Sound Mix Technician
Detention (2011)
Directed by: Joseph Kahn
Cinematography by: Christopher Probst
Edited by: David Blackburn
Sound Mixing Recordist
The Men Who Stare at Goats (2009)
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Sound Mixing Recordist
500 Days of Summer (2009)
Directed by: Marc Webb
Cinematography by: Eric Steelberg
Edited by: Alan Edward Bell
Lenses: Panavision Lenses
Sound Mixing Recordist
Whip It (2009)
Directed by: Drew Barrymore
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Sound Mix Technician
Pathology (2008)
Directed by: Marc Schölermann
Cinematography by: Ekkehart Pollack
Edited by: Todd E. Miller
Sound Mixing Recordist
Four Christmases (2008)
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball
Foley Editor
Right at Your Door (2006)
Directed by: Chris Gorak
Cinematography by: Tom Richmond
Edited by: Jeffrey M. Werner
Digital Transfer Engineer
Friends with Money (2006)
Directed by: Nicole Holofcener
Cinematography by: Terry Stacey
Edited by: Robert Frazen
Foley Editor
Glass House: The Good Mother (2006)
Directed by: Steve Antin
Cinematography by: Bobby Bukowski
Edited by: Joan Sobel
Foley Editor
The Dog Problem (2006)
Directed by: Scott Caan
Cinematography by: Phil Parmet
Edited by: Jeffrey M. Werner
Digital Transfer Engineer
Nearing Grace (2005)
Directed by: Rick Rosenthal
Cinematography by: David Geddes
Edited by: Madeleine Gavin
Re-recording Mixer - 10 Episodes, 2019
It's Always Sunny in Philadelphia (2005)
Directed by: Matt Shakman, Fred Savage, Daniel Attias, Randall Einhorn, Todd Biermann, Richie Keen, Heath Cullens, Jerry Levine, Kat Coiro, John Fortenberry, Jamie Babbit, Rob McElhenney, Maurice Marable, Josh Drisko, LP, Glenn Howerton
Cameras: Panasonic AG-DVX100 Camera
Digital Transfer Engineer
Pretty Persuasion (2005)
Directed by: Marcos Siega
Cinematography by: Ramsey Nickell
Edited by: Nicholas Erasmus
Cameras: Panavision Cameras
Digital Sound Transfer Engineer
American Gun (2005)
Directed by: Aric Avelino
Cinematography by: Nancy Schreiber
Edited by: Richard Nord
Cameras: Aaton XTR Prod Camera
Lenses: Canon Lenses
