Carlo Monaghan

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Visual Effects Supervisor: Pixomondo

John Wick: Chapter 4 (2023)

Motion Picture

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Nathan Orloff

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

Compositing Supervisor: Method Studios

Ford v Ferrari (2019)

Motion Picture

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Compositing Supervisor: ILM

Ready Player One (2018)

Motion Picture

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Compositing Supervisor: Method Studios

Guardians of the Galaxy Vol. 2 (2017)

Motion Picture

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Captain America: Civil War | ShotOnWhat?

Compositing Supervisor

Captain America: Civil War (2016)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Batman v Superman: Dawn of Justice | ShotOnWhat?

Lead Compositor

Batman v Superman: Dawn of Justice (2016)

Motion Picture

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Digital Compositor

Seventh Son (2014)

Motion Picture

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

The Hobbit: The Battle of the Five Armies | ShotOnWhat?

Digital Compositor

The Hobbit: The Battle of the Five Armies (2014)

Motion Picture

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Ultra Prime Lenses

Digital Compositor

Godzilla (2014)

Motion Picture

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Digital Compositor

Dawn of the Planet of the Apes (2014)

Motion Picture

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Compositor: Imagine Engine

Now You See Me (2013)

Motion Picture

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

The Hobbit: The Desolation of Smaug | ShotOnWhat?

Digital Compositor

The Hobbit: The Desolation of Smaug (2013)

Motion Picture

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: GoPro HD Hero3 Camera, Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Digital Compositor

R.I.P.D. (2013)

Motion Picture

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

The Hobbit: An Unexpected Journey | ShotOnWhat?

Compositor: WETA Digital

The Hobbit: An Unexpected Journey (2012)

Motion Picture

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Tomorrow, When the War Began | ShotOnWhat?

Compositor: Fuel VFX

Tomorrow, When the War Began (2010)

Motion Picture

Directed by: Stuart Beattie

Cinematography by: Ben Nott

Edited by: Marcus D'Arcy

Digital Compositor: Fuel VFX

The Spirit (2008)

Motion Picture

Directed by: Frank Miller

Cinematography by: Bill Pope

Edited by: Gregory Nussbaum

Compositor: Fuel VFX

Australia (2008)

Motion Picture

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Dody Dorn, Michael McCusker

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Compositor: Fuel VFX

Bedtime Stories (2008)

Motion Picture

Directed by: Adam Shankman

Cinematography by: Michael Barrett

Edited by: Tom Costain, Michael Tronick

Cameras: Panavision Genesis Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

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Carlo Monaghan

Visual Effects Supervisor: Pixomondo

John Wick: Chapter 4 (2023)

Compositing Supervisor: Method Studios

Ford v Ferrari (2019)

Compositing Supervisor: ILM

Ready Player One (2018)

Compositing Supervisor: Method Studios

Guardians of the Galaxy Vol. 2 (2017)

Compositing Supervisor

Captain America: Civil War (2016)

Lead Compositor

Batman v Superman: Dawn of Justice (2016)

Digital Compositor

Seventh Son (2014)

Digital Compositor

The Hobbit: The Battle of the Five Armies (2014)

Digital Compositor

Godzilla (2014)

Digital Compositor

Dawn of the Planet of the Apes (2014)

Compositor: Imagine Engine

Now You See Me (2013)

Digital Compositor

The Hobbit: The Desolation of Smaug (2013)

Digital Compositor

R.I.P.D. (2013)

Compositor: WETA Digital

The Hobbit: An Unexpected Journey (2012)

Compositor: Fuel VFX

Tomorrow, When the War Began (2010)

Digital Compositor: Fuel VFX

The Spirit (2008)

Compositor: Fuel VFX

Australia (2008)

Compositor: Fuel VFX

Bedtime Stories (2008)

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