Bill O'Drobinak

35 Titles

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Love, Simon | ShotOnWhat?

Camera Operator: "a" Camera

Love, Simon (2018)

Directed by: Greg Berlanti

Cinematography by: John Guleserian

Edited by: Harry Jierjian

Cameras: ARRI ALEXA XT Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

Fast 8 | ShotOnWhat?

C Camera Operator

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Won't Back Down | ShotOnWhat?

Camera Operator: "b" Camera

Won't Back Down (2012)

Directed by: Daniel Barnz

Cinematography by: Roman Osin

Edited by: Kristina Boden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Fast Five | ShotOnWhat?

'b' Camera Operator

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

You Again | ShotOnWhat?

Camera Operator

You Again (2010)

Directed by: Andy Fickman

Cinematography by: David Hennings

Edited by: Keith Brachmann, David Rennie

Marmaduke | ShotOnWhat?

Camera Operator: Los Angeles

Marmaduke (2010)

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

Jonah Hex | ShotOnWhat?

Camera Operator

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Race to Witch Mountain | ShotOnWhat?

Lead Camera Operator

Race to Witch Mountain (2009)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: David Rennie

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Welcome Home, Roscoe Jenkins | ShotOnWhat?

Camera Operator: "a" Camera

Welcome Home, Roscoe Jenkins (2008)

Directed by: Malcolm D. Lee

Cinematography by: Greg Gardiner

Edited by: George Bowers, Paul Millspaugh

Hot Rod | ShotOnWhat?

Camera Operator

Hot Rod (2007)

Directed by: Akiva Schaffer

Cinematography by: Andrew Dunn

Edited by: Malcolm Campbell

The Game Plan | ShotOnWhat?

B Camera Operator

The Game Plan (2007)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: Michael Jablow

Cameras: Panavision Cameras

Mission: Impossible III | ShotOnWhat?

Camera Operator

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Fun with Dick and Jane | ShotOnWhat?

Camera Operator: "b" Camera

Fun with Dick and Jane (2005)

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

The Day After Tomorrow | ShotOnWhat?

Camera Operator: "a" Camera

The Day After Tomorrow (2004)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: David Brenner

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Avid Editing System

Biker Boyz | ShotOnWhat?

Camera Operator: "a" Camera

Biker Boyz (2003)

Directed by: Reggie Rock Bythewood

Cinematography by: Greg Gardiner

Edited by: Caroline Ross, Terilyn A. Shropshire

The Count of Monte Cristo | ShotOnWhat?

Camera Operator

The Count of Monte Cristo (2002)

Directed by: Kevin Reynolds

Cinematography by: Andrew Dunn

Edited by: Stephen Semel, Christopher Womack

Sweet Home Alabama | ShotOnWhat?

Camera Operator: "a" Camera

Sweet Home Alabama (2002)

Directed by: Andy Tennant

Cinematography by: Andrew Dunn

Edited by: Troy Takaki, Tracey Wadmore-Smith

Just Visiting | ShotOnWhat?

Camera Operator: "a" Camera

Just Visiting (2001)

Directed by: Jean-Marie Poiré

Cinematography by: Ueli Steiger

Edited by: Michael A. Stevenson

Cameras: Panavision Cameras

Coyote Ugly | ShotOnWhat?

Camera Operator

Coyote Ugly (2000)

Directed by: David McNally

Cinematography by: Amir Mokri

Edited by: William Goldenberg

What Women Want | ShotOnWhat?

Camera Operator

What Women Want (2000)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Thomas J. Nordberg, Stephen A. Rotter

Life | ShotOnWhat?

Camera Operator

Life (1999)

Directed by: Ted Demme

Cinematography by: Geoffrey Simpson

Edited by: Jeffrey Wolf

Bowfinger | ShotOnWhat?

Camera Operator

Bowfinger (1999)

Directed by: Frank Oz

Cinematography by: Ueli Steiger

Edited by: Richard Pearson

Austin Powers: The Spy Who Shagged Me | ShotOnWhat?

Camera Operator: "a" Camera

Austin Powers: The Spy Who Shagged Me (1999)

Directed by: Jay Roach

Cinematography by: Ueli Steiger

Edited by: Debra Neil-Fisher, Jon Poll

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Parent Trap | ShotOnWhat?

Camera Operator

The Parent Trap (1998)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Stephen A. Rotter

Bean | ShotOnWhat?

Camera Operator: "a" Camera

Bean (1997)

Directed by: Mel Smith

Cinematography by: Francis Kenny

Edited by: Chris Blunden

Starship Troopers | ShotOnWhat?

Camera Operator

Starship Troopers (1997)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

The Truth About Cats & Dogs | ShotOnWhat?

Camera Operator: "b" Camera

The Truth About Cats & Dogs (1996)

Directed by: Michael Lehmann

Cinematography by: Robert Brinkmann

Edited by: Stephen Semel

Cameras: ARRIFLEX 535 Camera

Showgirls | ShotOnWhat?

Additional Camera Operator

Showgirls (1995)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Mark Helfrich

Cameras: ARRIFLEX 35 BL4s Camera, Moviecam Compact Camera

When the Bough Breaks | ShotOnWhat?

Director Of Photography: Second Unit

When the Bough Breaks (1994)

Directed by: Michael Cohn

Cinematography by: Michael Bonvillain

Edited by: Stephen Butler

The Desperate Trail | ShotOnWhat?

Camera: Second Unit

The Desperate Trail (1994)

Direct to Video

Directed by: P.J. Pesce

Cinematography by: Michael Bonvillain

Edited by: Bill Johnson

Wayne's World 2 | ShotOnWhat?

Camera Operator

Wayne's World 2 (1993)

Directed by: Stephen Surjik

Cinematography by: Francis Kenny

Edited by: Malcolm Campbell

Singles | ShotOnWhat?

Camera Operator

Singles (1992)

Directed by: Cameron Crowe

Cinematography by: Tak Fujimoto, Ueli Steiger

Edited by: Richard Chew

The Hot Spot | ShotOnWhat?

Additional Assistant Camera

The Hot Spot (1990)

Directed by: Dennis Hopper

Cinematography by: Ueli Steiger

Edited by: Wende Phifer Mate

Disorganized Crime | ShotOnWhat?

First Assistant Camera: "b" Camera

Disorganized Crime (1989)

Directed by: Jim Kouf

Cinematography by: Ronald Víctor García

Edited by: Frank Morriss, Dallas Puett

D.O.A. | ShotOnWhat?

Second Assistant Camera

D.O.A. (1988)

Directed by: Annabel Jankel, Rocky Morton

Cinematography by: Yuri Neyman

Edited by: Raja Gosnell, Michael R. Miller

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Zeiss Super Speed Lenses

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