Ryan Stafford

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Visual Effects Executive

Sonic the Hedgehog 2 (2022)

Motion Picture

Directed by: Jeff Fowler

Cinematography by: Brandon Trost

Edited by: Jim May

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

War for the Planet of the Apes | ShotOnWhat?

Co-producer, Visual Effects Producer

War for the Planet of the Apes (2017)

Motion Picture

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

Visual Effects Consultant

Deadpool (2016)

Motion Picture

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System

Visual Effects Producer

Avengers: Age of Ultron (2015)

Motion Picture

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Visual Effects Producer

Dawn of the Planet of the Apes (2014)

Motion Picture

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Visual Effects Producer

The Three Stooges (2012)

Motion Picture

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Rise of the Planet of the Apes | ShotOnWhat?

Associate Visual Effects Producer

Rise of the Planet of the Apes (2011)

Motion Picture

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Visual Effects Producer: Soho VFX

X-Men Origins: Wolverine (2009)

Motion Picture

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Visual Effects Associate Producer

The Incredible Hulk (2008)

Motion Picture

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

Visual Effects Coordinator

X-Men: The Last Stand (2006)

Motion Picture

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Aircraft Design Coordinator: Digital Domain

Stealth (2005)

Motion Picture

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Visual Effects Production Coordinator: Digital Domain

Æon Flux (2005)

Motion Picture

Directed by: Karyn Kusama

Cinematography by: Stuart Dryburgh

Edited by: Jeff Gullo, Peter Honess, Plummy Tucker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Visual Effects Coordinator: Digital Domain

Flight of the Phoenix (2004)

Motion Picture

Directed by: John Moore

Cinematography by: Brendan Galvin

Edited by: Don Zimmerman

Visual Effects Production Coordinator: Digital Domain

I, Robot (2004)

Motion Picture

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Visual Effects Assistant Coordinator

Daredevil (2003)

Motion Picture

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

Visual Effects Assistant Coordinator

xXx (2002)

Motion Picture

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Joel Negron, Paul Rubell

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

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Ryan Stafford

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Visual Effects Executive

Sonic the Hedgehog 2 (2022)

Co-producer, Visual Effects Producer

War for the Planet of the Apes (2017)

Visual Effects Consultant

Deadpool (2016)

Visual Effects Producer

Avengers: Age of Ultron (2015)

Visual Effects Producer

Dawn of the Planet of the Apes (2014)

Visual Effects Producer

The Three Stooges (2012)

Associate Visual Effects Producer

Rise of the Planet of the Apes (2011)

Visual Effects Producer: Soho VFX

X-Men Origins: Wolverine (2009)

Visual Effects Associate Producer

The Incredible Hulk (2008)

Visual Effects Coordinator

X-Men: The Last Stand (2006)

Aircraft Design Coordinator: Digital Domain

Stealth (2005)

Visual Effects Production Coordinator: Digital Domain

Æon Flux (2005)

Visual Effects Coordinator: Digital Domain

Flight of the Phoenix (2004)

Visual Effects Production Coordinator: Digital Domain

I, Robot (2004)

Visual Effects Assistant Coordinator

Daredevil (2003)

Visual Effects Assistant Coordinator

xXx (2002)

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