Colourist: Arri Media
Tár (2022)
Directed by: Todd Field
Cinematography by: Florian Hoffmeister
Edited by: Monika Willi
Lenses: ARRI Signature Prime Lenses
Lead Digital Colourist
Frau Ella (2013)
Directed by: Markus Goller
Cinematography by: Ueli Steiger
Edited by: Simon Gstöttmayr
Cameras: ARRI ALEXA Plus Camera
Lead Colorist
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Lead Colorist
Vatertage - Opa über Nacht (2012)
Directed by: Ingo Rasper
Cinematography by: Ueli Steiger
Edited by: Ueli Christen
Cameras: ARRI ALEXA Plus Camera
Lead Colorist
Sams im Glück (2012)
Directed by: Peter Gersina
Cinematography by: Gerhard Schirlo
Edited by: Kai Schröter
Lead Colorist
The Three Musketeers (2011)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Grader: High Definition Dailies, Arri Film And TV Services
A Dangerous Method (2011)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Cooke S4 Lenses
Color Timer
Inglourious Basterds (2009)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Digital Colorist
North Face (2008)
Directed by: Philipp Stölzl
Cinematography by: Kolja Brandt
Edited by: Sven Budelmann
Lead Colorist
The Baader Meinhof Complex (2008)
Directed by: Uli Edel
Cinematography by: Rainer Klausmann
Edited by: Alexander Berner
Colorist: Dailies
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Digital Colorist
The Wave (2008)
Directed by: Dennis Gansel
Cinematography by: Torsten Breuer
Edited by: Ueli Christen
Cameras: ARRI Cameras
Lenses: ARRI Lenses
Digital Colorist
Der Räuber Hotzenplotz (2006)
Directed by: Gernot Roll
Cinematography by: Gernot Roll
Edited by: Horst Reiter
Colorist: Dailies
Perfume: The Story of a Murderer (2006)
Directed by: Tom Tykwer
Cinematography by: Frank Griebe
Edited by: Alexander Berner
Digital Film Colorist
Tristan + Isolde (2006)
Directed by: Kevin Reynolds
Cinematography by: Arthur Reinhart
Edited by: Peter Boyle
Color Timer
Downfall (2004)
Directed by: Oliver Hirschbiegel
Cinematography by: Rainer Klausmann
Edited by: Hans Funck
Lenses: Zeiss Ultra Prime Lenses
Dailies Color-grading: ARRI Film Services
Underworld (2003)
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter
Color Timer
Nirgendwo in Afrika (2001)
Directed by: Caroline Link
Cinematography by: Gernot Roll
Edited by: Patricia Rommel
Cameras: ARRIFLEX 35mm Cameras
