Post-production Supervisor
Semper Fi (2019)
Directed by: Henry Alex Rubin
Cinematography by: David Devlin
Cameras: Red Monstro 8K Camera
Post-production Supervisor
Upgrade (2018)
Directed by: Leigh Whannell
Cinematography by: Stefan Duscio
Edited by: Andy Canny
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Post-production Supervisor
Papillon (2017)
Directed by: Michael Noer
Cinematography by: Hagen Bogdanski
Lenses: Zeiss Ultra Prime Lenses
Production Services
Flock of Four (2017)
Directed by: Gregory Caruso
Cinematography by: Gus Bendinelli
Edited by: Vic Brown
Cameras: ARRI ALEXA XT Plus Camera
Post-production Supervisor
Midnight Special (2016)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
End Titles, Post-production Supervisor
Ride Along 2 (2016)
Directed by: Tim Story
Cinematography by: Mitchell Amundsen
Edited by: Peter S. Elliot
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
End Titles, Post-production Supervisor
Don't Breathe (2016)
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Cameras: ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens
Production Services
Moonlight (2016)
Directed by: Barry Jenkins
Cinematography by: James Laxton
Cameras: ARRI ALEXA XT Plus Camera
End Titles, Post-production Supervisor
The Bronze (2015)
Directed by: Bryan Buckley
Cinematography by: Scott Henriksen
Edited by: Jay Nelson
Cameras: Red Epic Camera
Post-production Supervisor
Dumb and Dumber To (2014)
Cinematography by: Matthew F. Leonetti
Edited by: Steven Rasch
Cameras: ARRI ALEXA Camera
End Titles, Post-production Supervisor
Neighbors (2014)
Directed by: Nicholas Stoller
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: ARRI ALEXA Camera, Red Epic Camera
End Titles, Post-production Supervisor
Oldboy (2013)
Directed by: Spike Lee
Cinematography by: Sean Bobbitt
Edited by: Barry Alexander Brown
Lenses: ARRI / Fujinon Lenses, Cooke 5/i Lenses
Editing System: Avid Editing System
Post-production Supervisor
Phantom (2013)
Directed by: Todd Robinson
Cinematography by: Byron Werner
Edited by: Terel Gibson
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Production Services
The Last Exorcism Part II (2013)
Directed by: Ed Gass-Donnelly
Cinematography by: Brendan Steacy
Edited by: Ed Gass-Donnelly
Cameras: ARRI ALEXA Camera
End Titles, Post-production Supervisor
Evil Dead (2013)
Directed by: Fede Alvarez
Cinematography by: Aaron Morton
Edited by: Bryan Shaw
Cameras: Sony CineAlta F65 Camera
Colorist
The Pact (2012)
Directed by: Nicholas McCarthy
Cinematography by: Bridger Nielson
Edited by: Adriaan van Zyl
Cameras: ARRI ALEXA Camera
End Titles, Post-production Supervisor
The Sessions (2012)
Directed by: Ben Lewin
Cinematography by: Geoffrey Simpson
Edited by: Lisa Bromwell
Cameras: Red One MX Camera
Production Services: Upload Films
Seven Psychopaths (2012)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Lisa Gunning
End Crawl / End Titles, Post-production Supervisor
The Man with the Iron Fists (2012)
Directed by: RZA
Cinematography by: Chi-Ying Chan
Edited by: Joe D'Augustine
Colorist, Post-production Supervisor
6 Bullets (2012)
Directed by: Ernie Barbarash
Cinematography by: Phil Parmet
Edited by: Peter Devaney Flanagan
Colorist
Assassination Games (2011)
Directed by: Ernie Barbarash
Cinematography by: Phil Parmet
Edited by: Peter Devaney Flanagan
Post-production Supervisor
The Last Exorcism (2010)
Directed by: Daniel Stamm
Cinematography by: Zoltan Honti
Edited by: Shilpa Sahi
Post-production Supervisor
Mother and Child (2009)
Directed by: Rodrigo García
Cinematography by: Xavier Grobet
Edited by: Steven Weisberg
Colorist, Producer
Drool (2009)
Directed by: Nancy Kissam
Cinematography by: Kara Stephens
Edited by: Jennifer Godin
Post-production Supervisor, Titles
Brief Interviews with Hideous Men (2009)
Directed by: John Krasinski
Cinematography by: John Bailey
Cameras: Panavision Panaflex Camera
Post-production Supervisor, Titles: Upload Films, Visual Effects: Upload Films
Choke (2008)
Directed by: Clark Gregg
Cinematography by: Tim Orr
Edited by: Joe Klotz
Post-production Supervisor
Slipstream (2007)
Directed by: Anthony Hopkins
Cinematography by: Dante Spinotti
Edited by: Michael R. Miller
Man Drinking Coffee In Car, Post-production Supervisor, Title Designer: End Title Layout
The Jane Austen Book Club (2007)
Directed by: Robin Swicord
Cinematography by: John Toon
Edited by: Maryann Brandon
Post-production Supervisor
First Snow (2006)
Directed by: Mark Fergus
Cinematography by: Eric Alan Edwards
Edited by: Jay Cassidy
Post-production Executive: Yari Film Group
The Illusionist (2006)
Directed by: Neil Burger
Cinematography by: Dick Pope
Edited by: Naomi Geraghty
Post-production Executive: Yari Film Group
The Painted Veil (2006)
Directed by: John Curran
Cinematography by: Stuart Dryburgh
Edited by: Alexandre de Franceschi
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Post-production Supervisor: U.S.
The Sandlot 2 (2005)
Directed by: David Mickey Evans
Cinematography by: David Pelletier
Edited by: Harry Keramidas
Post-production Executive: Yari Film Group
The Matador (2005)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Post-production Executive: Yari Film Group
Winter Passing (2005)
Directed by: Adam Rapp
Cinematography by: Terry Stacey
Edited by: Meg Reticker
Post-production Executive
Dave Chappelle's Block Party (2005)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Post-production Executive / Post-production Supervisor
The Chumscrubber (2005)
Directed by: Arie Posin
Cinematography by: Lawrence Sher
Post-production Supervisor
Riding the Bullet (2004)
Directed by: Mick Garris
Cinematography by: Robert C. New
Edited by: Marshall Harvey
Post-production Supervisor
Dream Lover (1993)
Directed by: Nicholas Kazan
Cinematography by: Jean-Yves Escoffier
Lightworks Assistant
Kalifornia (1993)
Directed by: Dominic Sena
Cinematography by: Bojan Bazelli
Edited by: Martin Hunter
Cameras: ARRI Cameras
Editing System: Lightworks Editing System
