Harry Russell Brutsche

21 Titles

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Big Hero 6 | ShotOnWhat?

Lighting Artist

Big Hero 6 (2014)

Directed by: Don Hall, Chris Williams

Cinematography by: Rob Dressel

Edited by: Tim Mertens

Seventh Son | ShotOnWhat?

Lighting Artist

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

R.I.P.D. | ShotOnWhat?

Sequence Cg Supervisor

R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

The Hunger Games | ShotOnWhat?

Lighting Artist: Rhythm & Hues Studios

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Hop | ShotOnWhat?

Sequence Supervisor: Rhythm & Hues Studios

Hop (2011)

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Alvin and the Chipmunks: Chipwrecked | ShotOnWhat?

Sequence Supervisor: Rhythm & Hues Studios

Alvin and the Chipmunks: Chipwrecked (2011)

Directed by: Mike Mitchell

Cinematography by: Thomas E. Ackerman

Edited by: Peter Amundson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The A-Team | ShotOnWhat?

Lighting Lead: Rhythm & Hues Studios

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Land of the Lost | ShotOnWhat?

Lead Lighter: Rhythm & Hues Studios

Land of the Lost (2009)

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

Cirque du Freak: The Vampire's Assistant | ShotOnWhat?

Lighting Lead: Rhythm & Hues Studios

Cirque du Freak: The Vampire's Assistant (2009)

Directed by: Paul Weitz

Cinematography by: James M. Muro

Edited by: Leslie Jones

Alvin and the Chipmunks: The Squeakquel | ShotOnWhat?

Sequence Supervisor: Rhythm & Hues Studios

Alvin and the Chipmunks: The Squeakquel (2009)

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

The Incredible Hulk | ShotOnWhat?

Lighting Lead: Rhythm & Hues Studios

The Incredible Hulk (2008)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

The Golden Compass | ShotOnWhat?

Lighting Lead: Rhythm & Hues

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

The Kingdom | ShotOnWhat?

Lighter: Rhythm & Hues

The Kingdom (2007)

Directed by: Peter Berg

Cinematography by: Mauro Fiore

Edited by: Colby Parker Jr., Kevin Stitt

Night at the Museum | ShotOnWhat?

Lighter: Rhythm & Hues

Night at the Museum (2006)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

Charlotte's Web | ShotOnWhat?

Lighting Technical Director: Rhythm & Hues

Charlotte's Web (2006)

Directed by: Gary Winick

Cinematography by: Seamus McGarvey

Edited by: Susan Littenberg, Sabrina Plisco

Garfield: A Tail of Two Kitties | ShotOnWhat?

Lighter: Rhythm & Hues Studios

Garfield: A Tail of Two Kitties (2006)

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Lighter: Rhythm & Hues

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Garfield | ShotOnWhat?

Matchmover: Rhythm & Hues

Garfield (2004)

Directed by: Peter Hewitt

Cinematography by: Dean Cundey

Edited by: Peter E. Berger, Michael A. Stevenson

Cameras: Panavision Cameras

Around the World in 80 Days | ShotOnWhat?

Matchmove Artist: Rhythm & Hues Studios

Around the World in 80 Days (2004)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Tom Lewis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

X2 | ShotOnWhat?

3D Data Operator: Cinesite

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Kung Pow: Enter the Fist | ShotOnWhat?

Render Trainee

Kung Pow: Enter the Fist (2002)

Directed by: Steve Oedekerk

Cinematography by: John J. Connor

Edited by: Paul Marshal

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