Production Support & Senior Staff: Method Studios
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Technology Support: Method Studios
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Technical Support: Method Studios
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Production Technology And Support: Method Studios
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Lighting Supervisor: Rhythm & Hues Studios
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Lighting Lead: Rhythm & Hues Studios
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Lighting Artist: Rhythm & Hues Studios
Big Miracle (2012)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Lead Lighting Technical Director: Rhythm & Hues Studios
Hop (2011)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Lighter: Rhythm & Hues Studios
Mr. Popper's Penguins (2011)
Directed by: Mark Waters
Cinematography by: Florian Ballhaus
Edited by: Bruce Green
Cameras: ARRI ALEXA Camera
Lighting Technical Director: Rhythm & Hues Studios
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Production And Technical Support: Rhythm & Hues Studios
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Educator
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Education And Training: Rhythm & Hues Studios
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
On-line Editor, On-line Technician
Façade (2005)
Directed by: Brian Bedard
Edited by: Brian Bedard
Cameras: ARRI Cameras
Render Queue Manager: Stan Winston Digital
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Special Effects: Stan Winston Studio
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses