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Panavision Lenses | 1288 Titles

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2 Guns (2013)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Baltasar Kormákur | Cinematography by | Oliver Wood | Editing by | Michael Tronick

Starring | Denzel Washington, Mark Wahlberg, Paula Patton, Bill Paxton

Cameras | Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

Don Jon (2013)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Joseph Gordon-Levitt | Cinematography by | Thomas Kloss | Editing by | Lauren Zuckerman

Starring | Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore, Tony Danza

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Out of the Furnace (2013)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Scott Cooper | Cinematography by | Masanobu Takayanagi | Editing by | David Rosenbloom

Starring | Christian Bale, Casey Affleck, Zoe Saldana, Woody Harrelson

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

Killing Season (2013)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Mark Steven Johnson | Cinematography by | Peter Menzies Jr. | Editing by | Sean Albertson

Starring | Robert De Niro, John Travolta, Milo Ventimiglia, Elizabeth Olin

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Way Way Back (2013)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Nat Faxon, Jim Rash | Cinematography by | John Bailey | Editing by | Tatiana S. Riegel

Starring | Steve Carell, Toni Collette, Allison Janney, AnnaSophia Robb

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Heat (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Jay Deuby, Brent White

Starring | Sandra Bullock, Michael McDonald, Melissa McCarthy, Demián Bichir

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Colony (2013)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Jeff Renfroe | Cinematography by | Pierre Gill | Editing by | Aaron Marshall

Starring | Kevin Zegers, Laurence Fishburne, Bill Paxton, Charlotte Sullivan

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Anamorphic Lenses

Godzilla (2014)

Motion Picture | 3D | Color | 123 Minutes

Directed by | Gareth Edwards | Cinematography by | Seamus McGarvey | Editing by | Bob Ducsay

Starring | Aaron Taylor-Johnson, Elizabeth Olsen, Bryan Cranston, Ken Watanabe

Cameras | ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Summoned (2013)

Television Movie | 2D | Color | 89 Minutes

Directed by | Peter Sullivan | Cinematography by | Roberto Schein | Editing by | Randy Carter

Starring | Cuba Gooding Jr., Ashley Scott, Bailey Chase, James Hong

Cameras | Sony Cameras, Sony PMW-F3 Camera

Lenses | Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision Ultra Speed MKII Lenses

Nebraska (2013)

Motion Picture | 2D | Black & White | 115 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | Bruce Dern, Will Forte, June Squibb, Bob Odenkirk

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses

The Awakening (2011)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

The Awakening | ShotOnWhat?

Directed by | Nick Murphy | Cinematography by | Eduard Grau | Editing by | Victoria Boydell

Starring | Rebecca Hall, Dominic West, Imelda Staunton, Lucy Cohu

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Jack Ryan: Shadow Recruit (2014)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 105 Minutes

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Martin Walsh

Starring | Chris Pine, Kevin Costner, Keira Knightley, Kenneth Branagh

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses | Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

The Counselor (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

The Counselor | ShotOnWhat?

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Michael Fassbender, Penélope Cruz, Cameron Diaz, Javier Bardem

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Escape Plan (2013)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Mikael Håfström | Cinematography by | Brendan Galvin | Editing by | Elliot Greenberg

Starring | Sylvester Stallone, Arnold Schwarzenegger, 50 Cent, Vincent D'Onofrio

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses

I, Frankenstein (2014)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Stuart Beattie | Cinematography by | Ross Emery | Editing by | Marcus D'Arcy

Starring | Aaron Eckhart, Bill Nighy, Miranda Otto, Virginie Le Brun

Cameras | Red Epic Camera

Lenses | Panavision Primo Primes Spherical Lenses

Edge of Tomorrow (2014)

Motion Picture | 3D | Color | 2.39:1 | 113 Minutes

Directed by | Doug Liman | Cinematography by | Dion Beebe | Editing by | James Herbert, Laura Jennings

Starring | Tom Cruise, Emily Blunt, Bill Paxton, Brendan Gleeson

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Glee (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Christopher Baffa, Joaquin Sedillo, Michael Goi, Duane Mieliwocki | Editing by | Joe Leonard, Doc Crotzer, Bradley Buecker, John Roberts, Philip Harrison, Andrew Groves, Alexander Soskin, Nathan Allen, David Dean, Rich Fox, Fabienne Bouville, Jason Gourson, Ishai Setton, Zack Arnold

Starring | Lea Michele, Jane Lynch, Matthew Morrison, Cory Monteith

Cameras | Digital Bolex D16, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Paranoia (2013)

Motion Picture | 2D | Color | 2.39:1 | 6 Minutes

Directed by | Cameron Alford | Cinematography by | Cameron Alford | Editing by | Cameron Alford

Starring | James Langille, Jesse Langille, Natasha Alford

Cameras | ARRI ALEXA Studio Camera

Lenses | Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

The World’s End (2013)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Paul Machliss

Starring | Simon Pegg, Nick Frost, Martin Freeman, Rosamund Pike

Cameras | ARRIFLEX 16SR3 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses

Desperate Measures (1998)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Barbet Schroeder | Cinematography by | Luciano Tovoli | Editing by | Lee Percy

Starring | Michael Keaton, Andy Garcia, Brian Cox, Marcia Gay Harden

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

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