Digital Intermediate Finishing Process | 1761 Titles
Rudhramadevi (2015)
Directed by | Gunasekhar | Cinematography by | Ajay Vincent | Editing by | A. Sreekar Prasad
Cameras | Red Epic Camera
Lenses | Zeiss Ultra Prime Lenses
Respire (2014)
Directed by | Mélanie Laurent | Cinematography by | Arnaud Potier | Editing by | Guerric Catala
Cameras | ARRI ALEXA Camera
La dernière leçon (2015)
Directed by | Pascale Pouzadoux | Cinematography by | Nicolas Brunet | Editing by | Sylvie Gadmer
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Ange et Gabrielle (2015)
Directed by | Anne Giafferi | Cinematography by | Stéphane Cami | Editing by | Christine Lucas Navarro
Cameras | ARRI ALEXA XT Plus Camera
The Transporter Refueled (2015)
Directed by | Camille Delamarre | Cinematography by | Christophe Collette, Vincent Richard | Editing by | Julien Rey
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Survivors (2008)
| Cinematography by | Alan Almond, Graham Frake, Nigel Willoughby, Fabian Wagner, Tony Miller, Adam Suschitzky | Editing by | David Rees, David Barrett, Steve Singleton, Tim Marchant, Beverley Mills, Roy Sharman
Cameras | ARRIFLEX Camera, ARRIFLEX D-21 Camera
Lenses | ARRI Lenses
Le ciel du centaure (2015)
Directed by | Hugo Santiago | Cinematography by | Gustavo Biazzi | Editing by | Alejo Moguillansky
Cameras | ARRI ALEXA Camera, ARRI ALEXA Series Cameras
Silent Ones (2013)
Directed by | Ricky Rijneke | Cinematography by | Jean-Paul de Zaetijd, Gergely Pohárnok, Dirk Rijneke | Editing by | Nina Petrovna, Ricky Rijneke
Cameras | Aaton Penelope Camera
Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Ultra Prime Distagon 12 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
L’écume des jours (2013)
Directed by | Michel Gondry | Cinematography by | Christophe Beaucarne | Editing by | Marie-Charlotte Moreau
Cameras | Red Epic Camera
The Price of Desire (2015)
Directed by | Mary McGuckian | Cinematography by | Stefan von Bjorn | Editing by | John O'Connor, Robert O'Connor, Kant Pan
Cameras | Red Epic Dragon Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses
Mais qui a re-tué Pamela Rose? (2012)
Directed by | Olivier Baroux, Kad Merad | Cinematography by | Régis Blondeau | Editing by | Elodie Codaccioni
Cameras | ARRI ALEXA Camera
L’homme qui rit (2012)
Directed by | Jean-Pierre Améris | Cinematography by | Gérard Simon | Editing by | Philippe Bourgueil
Cameras | ARRI ALEXA Camera
Cloclo (2012)
Directed by | Florent-Emilio Siri | Cinematography by | Giovanni Fiore Coltellacci | Editing by | Olivier Gajan
600 kilos d’or pur (2010)
The Pianist (2002)
Grace of Monaco (2014)
Directed by | Olivier Dahan | Cinematography by | Eric Gautier | Editing by | Olivier Gajan
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses
Penny Dreadful (2014)
| Cinematography by | John Conroy, Owen McPolin, Nigel Willoughby, P.J. Dillon, Xavi Giménez | Editing by | Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras | ARRI ALEXA Camera
Hercules (2014)
Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich, Julia Wong
Cameras | ARRI ALEXA XT Camera
The Water Diviner (2014)
Directed by | Russell Crowe | Cinematography by | Andrew Lesnie | Editing by | Matt Villa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision Primo Anamorphic Lenses
The Hunger Games: Mockingjay – Part 2 (2015)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
