35mm Film Negative Width | 2711 Titles
Kill Bill: Vol. 1 (2003)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The New World (2005)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa
Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
The Big Empty (2005)
Directed by | Lisa Chang, Newton Thomas Sigel | Cinematography by | Newton Thomas Sigel | Editing by | Maureen O'Keefe
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Self Medicated (2005)
Directed by | Monty Lapica | Cinematography by | Denis Maloney | Editing by | Timothy Kendall
Cameras | Panavision Cameras
The Darjeeling Limited (2007)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum
Cameras | Panavision Cameras
Broken Flowers (2005)
Directed by | Jim Jarmusch | Cinematography by | Frederick Elmes | Editing by | Jay Rabinowitz
Lenses | Zeiss Variable Prime Lenses
Idlewild (2006)
Directed by | Bryan Barber | Cinematography by | Pascal Rabaud | Editing by | Anne Goursaud
Lenses | Zeiss Ultra Prime Lenses
Garfield (2004)
Directed by | Peter Hewitt | Cinematography by | Dean Cundey | Editing by | Peter E. Berger, Michael A. Stevenson
Cameras | Panavision Cameras
Johnny Dangerously (1984)
Directed by | Amy Heckerling | Cinematography by | David M. Walsh | Editing by | Pembroke J. Herring
Cameras | Panavision Cameras
Standpoint (2009)
Directed by | Dom Ricco | Cinematography by | Andrew Strahorn | Editing by | Jessica Rae Ortega
Cameras | Moviecam Compact Camera
Hard Shoulder (2012)
Directed by | Nicholas David Lean | Cinematography by | Steven Priovolos | Editing by | Derek Burgess
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
The Day After (1983)
Directed by | Nicholas Meyer | Cinematography by | Gayne Rescher | Editing by | William Paul Dornisch, Robert Florio
Cameras | Panavision Cameras
Magic (1978)
Directed by | Richard Attenborough | Cinematography by | Victor J. Kemper | Editing by | John Bloom
Cameras | Panavision Cameras
Far from Heaven (2002)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | James Lyons
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses, Cooke Speed Panchro Lenses
Pterodactyl (2005)
Directed by | Mark L. Lester | Cinematography by | George Mooradian | Editing by | Donn Aron
Cameras | ARRI Cameras
Jonah Hex (2010)
Directed by | Jimmy Hayward | Cinematography by | Mitchell Amundsen | Editing by | Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Tex (1982)
Directed by | Tim Hunter | Cinematography by | Ric Waite | Editing by | Howard E. Smith
Cameras | Panavision Cameras
The Dilemma (2011)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Monsieur N. (2003)
Directed by | Antoine de Caunes | Cinematography by | Pierre Aïm | Editing by | Joële Van Effenterre
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
The Mouse (1996)
Directed by | Daniel Adams | Cinematography by | Denise Brassard | Editing by | Victoria Street
Cameras | Panavision Cameras
