Technicolor | 826 Titles
Yes Man (2008)
Directed by | Peyton Reed | Cinematography by | Robert D. Yeoman | Editing by | Craig Alpert
Cameras | Panavision Cameras
My Week with Marilyn (2011)
Directed by | Simon Curtis | Cinematography by | Ben Smithard | Editing by | Adam Recht
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Hancock (2008)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Paul Rubell
Lenses | Panavision Primo Anamorphic Lenses
Fly Away Home (1996)
Directed by | Carroll Ballard | Cinematography by | Caleb Deschanel | Editing by | Nicholas C. Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Due Date (2010)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher
Lenses | Panavision Primo Anamorphic Lenses
Win a Date with Tad Hamilton! (2004)
Directed by | Robert Luketic | Cinematography by | Peter Lyons Collister | Editing by | Scott Hill
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Gangster No. 1 (2000)
Directed by | Paul McGuigan | Cinematography by | Peter Sova | Editing by | Andrew Hulme
Cameras | Aaton Cameras, Panavision Cameras
1408 (2007)
Directed by | Mikael Håfström | Cinematography by | Benoît Delhomme | Editing by | Peter Boyle
Cameras | Panavision Panaflex Millennium XL Camera
Collateral (2004)
Directed by | Michael Mann | Cinematography by | Dion Beebe, Paul Cameron | Editing by | Jim Miller, Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Valkyrie (2008)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottman
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
I Am Legend (2007)
Directed by | Francis Lawrence | Cinematography by | Andrew Lesnie | Editing by | Wayne Wahrman
Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses
21 (2008)
Directed by | Robert Luketic | Cinematography by | Russell Carpenter | Editing by | Elliot Graham
Cameras | Pan-Arri 435 Camera, Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Angela’s Ashes (1999)
Directed by | Alan Parker | Cinematography by | Chris Connier, Michael Seresin | Editing by | Gerry Hambling
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
Baby Mama (2008)
Directed by | Michael McCullers | Cinematography by | Daryn Okada | Editing by | Bruce Green, Debra Neil-Fisher
Cameras | Panavision Cameras
Spy Game (2001)
Directed by | Tony Scott | Cinematography by | Dan Mindel | Editing by | Christian Wagner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Dark Water (2005)
Directed by | Walter Salles | Cinematography by | Affonso Beato | Editing by | Daniel Rezende
Lenses | Panavision Primo Anamorphic Lenses
Consenting Adults (1992)
Directed by | Alan J. Pakula | Cinematography by | Stephen Goldblatt | Editing by | Sam O'Steen
Cameras | Panavision Panaflex Platinum Camera
The Last Castle (2001)
Directed by | Rod Lurie | Cinematography by | Shelly Johnson | Editing by | Michael Jablow, Kevin Stitt
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Three Musketeers (1993)
Directed by | Stephen Herek | Cinematography by | Dean Semler | Editing by | John F. Link
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Sorcerer’s Apprentice (2010)
