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FotoKem Laboratory, Burbank : 165

FotoKem | 228 Titles

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A Very Harold & Kumar 3D Christmas (2011)

Motion Picture | 3D | Color | 2.39:1 | 90 Minutes

Directed by | Todd Strauss-Schulson | Cinematography by | Michael Barrett | Editing by | Eric Kissack

Starring | Kal Penn, John Cho, Neil Patrick Harris, Patton Oswalt

Cameras | Panavision Genesis Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Rampart (2011)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz

Starring | Woody Harrelson, Ben Foster, Sigourney Weaver, Jon Bernthal

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Adaptation. (2002)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen

Starring | Nicolas Cage, Meryl Streep, Chris Cooper, Tilda Swinton

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Desire Street (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 82 Minutes

Directed by | Roberto F. Canuto, Xiaoxi Xu | Cinematography by | Roberto F. Canuto, Xiaoxi Xu | Editing by | Roberto F. Canuto, Xiaoxi Xu

Starring | Alejandra Walker, Ellen Clifford, Javier Lopez, Alexandra Smothers

Cameras | ARRIFLEX 16mm Cameras

Hot Tub Time Machine (2010)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Hot Tub Time Machine | ShotOnWhat?

Directed by | Steve Pink | Cinematography by | Jack N. Green | Editing by | George Folsey Jr., James Thomas

Starring | John Cusack, Rob Corddry, Craig Robinson, Clark Duke

Cameras | Panavision Cameras

Fear and Loathing in Las Vegas (1998)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Lesley Walker

Starring | Johnny Depp, Benicio Del Toro, Tobey Maguire, Michael Lee Gogin

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Standard Speed Prime Lenses

The Accountant (2001)

Short Film | 2D | Color | 1.66:1 | 35 Minutes

Directed by | Ray McKinnon | Cinematography by | Blake B. Jackson | Editing by | Joan Sobel

Starring | Ray McKinnon, Walton Goggins, Eddie King, Gary Richardson

Cameras | Panavision Cameras

Lenses | Panavision Lenses

I Heart Huckabees (2004)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

I Heart Huckabees | ShotOnWhat?

Directed by | David O. Russell | Cinematography by | Peter Deming | Editing by | Robert K. Lambert

Starring | Jason Schwartzman, Jude Law, Naomi Watts, Mark Wahlberg

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Serenity (2005)

Motion Picture | 2D | Color | 2.35:1 | 119 Minutes

Serenity | ShotOnWhat?

Directed by | Joss Whedon | Cinematography by | Jack N. Green | Editing by | Lisa Lassek

Starring | Nathan Fillion, Gina Torres, Chiwetel Ejiofor, Alan Tudyk

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses

A Rumor of Angels (2000)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Peter O'Fallon | Cinematography by | Roy H. Wagner | Editing by | Louise Rubacky

Starring | Vanessa Redgrave, Ray Liotta, Catherine McCormack, Trevor Morgan

Cameras | Moviecam Compact Camera

Lenses | Hawk C-Series Lenses

Phenomenon (1996)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Jon Turteltaub | Cinematography by | Phedon Papamichael | Editing by | Bruce Green

Starring | John Travolta, Kyra Sedgwick, Forest Whitaker, Robert Duvall

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Lost in Translation (2003)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Bill Murray, Scarlett Johansson, Giovanni Ribisi, Anna Faris

Cameras | Aaton 35-III Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Super Speed Lenses

Man on Fire (2004)

Motion Picture | 2D | Color | 2.35:1 | 146 Minutes

Man on Fire | ShotOnWhat?

Directed by | Tony Scott | Cinematography by | Paul Cameron | Editing by | Christian Wagner

Starring | Denzel Washington, Christopher Walken, Dakota Fanning, Radha Mitchell

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Identity (2003)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Identity | ShotOnWhat?

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | David Brenner

Starring | John Cusack, Ray Liotta, Amanda Peet, John Hawkes

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Thirteen (2003)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Catherine Hardwicke | Cinematography by | Elliot Davis | Editing by | Nancy Richardson

Starring | Evan Rachel Wood, Holly Hunter, Nikki Reed, Vanessa Hudgens

Cameras | Aaton XTR Prod Camera

Lenses | Canon Lenses

The Roommate (2011)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

The Roommate | ShotOnWhat?

Directed by | Christian E. Christiansen | Cinematography by | Phil Parmet | Editing by | Randy Bricker

Starring | Minka Kelly, Leighton Meester, Cam Gigandet, Aly Michalka

Cameras | Panavision Genesis Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Army of One (1993)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Vic Armstrong | Cinematography by | Daniel L. Turrett | Editing by | Paul Morton

Starring | Dolph Lundgren, George Segal, Kristian Alfonso, Geoffrey Lewis

Cameras | Todd-AO CineSpace 70 Camera

Passion in the Desert (1997)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Lavinia Currier | Cinematography by | Aleksey Rodionov | Editing by | Nicolas Gaster

Starring | Ben Daniels, Michel Piccoli, Paul M. Meston, Kenneth Collard

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Cooke Cinetal Lenses, Zeiss Standard Speed Prime Lenses

Interlocked: Thrilled to Death (1998)

Motion Picture | 2D | Color | 93 Minutes

Directed by | Rick Jacobson | Cinematography by | Jesse Weathington | Editing by | Jeffrey Schwarz

Starring | Jeff Trachta, Schae Harrison, Sandra Dee Robinson, Howard Mungo

Cameras | ARRIFLEX Camera

Reservoir Dogs (1992)

Motion Picture | 2D | Color | 2.39:1 | 99 Minutes

Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke

Starring | Harvey Keitel, Tim Roth, Michael Madsen, Chris Penn

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

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