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Film Print 16mm Distribution Resolution | 33 Titles

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Raiders of the Lost Ark (1981)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 115 Minutes

Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas

Starring | Harrison Ford, Karen Allen, Paul Freeman, John Rhys-Davies

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex-X Camera

Lenses | Panavision C Series Anamorphic Lenses

I Love Lucy (1951)

Television Series | 2D | Film Project | Black & White | 1.33:1 (4x3) | 30 Minutes

| Cinematography by | Karl Freund, Sidney Hickox, Robert De Grasse | Editing by | Bud Molin, Dann Cahn

Starring | Lucille Ball, Desi Arnaz, Vivian Vance, William Frawley

Cameras | Mitchell BNC Camera

Star Wars: Episode IV – A New Hope (1977)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 2.20:1, 2.39:1, 2.64:1 | 121 Minutes

Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Alec Guinness

Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses

Ryan’s Daughter (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 206 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage

Starring | Robert Mitchum, Trevor Howard, John Mills, Christopher Jones

Cameras | Super Panavision-70 Camera

Lenses | Panavision Lenses

Pulp Fiction (1994)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 154 Minutes

Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke

Starring | John Travolta, Uma Thurman, Samuel L. Jackson, Bruce Willis

Cameras | Panavision Cameras, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses

Escape: World Safari III (1988)

Documentary | 2D | Film Project | Color | 1.33:1 (4x3) | 109 Minutes

Directed by | Alby Mangels | Editing by | Rod Hay, Tim Jordan

Starring | Alby Mangels, Michelle Els, Lucinda Dunn

Cameras | ARRIFLEX 16SR2 Camera

Back to the Future Part III (1990)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 118 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Mary Steenburgen, Tom Wilson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to the Future (1985)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 1.85:1 | 116 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover

Cameras | Panavision Panaflex Gold Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to the Future Part II (1989)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Back to the Future Part II | ShotOnWhat?

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Tom Wilson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

The Shining (1980)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.66:1, 1.85:1 | 146 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy

Starring | Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Super Speed Lenses

Lawrence of Arabia (1962)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 216 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates

Starring | Peter O'Toole, Alec Guinness, Anthony Quinn, Jack Hawkins

Cameras | Super Panavision-70 Camera

Lenses | Panavision Super Panavision 70 Series Lenses

Chitty Chitty Bang Bang (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 144 Minutes

Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley

Starring | Dick Van Dyke, Sally Ann Howes, Lionel Jeffries, Benny Hill

Cameras | Super Panavision-70 Camera

Lord Jim (1965)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 154 Minutes

Directed by | Richard Brooks | Cinematography by | Freddie Young | Editing by | Alan Osbiston

Starring | Peter O'Toole, James Mason, Curd Jürgens, Eli Wallach

Cameras | Super Panavision-70 Camera

Exodus (1960)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 208 Minutes

Directed by | Otto Preminger | Cinematography by | Sam Leavitt | Editing by | Louis R. Loeffler

Starring | Paul Newman, Eva Marie Saint, Ralph Richardson, Peter Lawford

Cameras | Super Panavision-70 Camera

On Tiptoe: Gentle Steps to Freedom (2000)

Documentary | 2D | Color | 58 Minutes

Directed by | Eric Simonson | Editing by | Tina Imahara

Starring | Joseph Shabalala, Paul Simon

Presto (2008)

Short Film | 2D | Color | 1.85:1 | 5 Minutes

Directed by | Doug Sweetland | Editing by | Katherine Ringgold

The Greatest Show on Earth (1952)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 152 Minutes

Directed by | Cecil B. DeMille | Cinematography by | George Barnes | Editing by | Anne Bauchens

Starring | James Stewart, Charlton Heston, Betty Hutton, Cornel Wilde

Singin’ in the Rain (1952)

Motion Picture | 2D | Black & White, Color | 103 Minutes

Directed by | Stanley Donen, Gene Kelly | Cinematography by | Harold Rosson | Editing by | Adrienne Fazan

Starring | Gene Kelly, Donald O'Connor, Debbie Reynolds, Jean Hagen

Cameras | Technicolor 3-Strip Camera

Irma la Douce (1963)

Motion Picture | 2D | Color | 147 Minutes

Directed by | Billy Wilder | Cinematography by | Joseph LaShelle | Editing by | Daniel Mandell

Starring | Jack Lemmon, Shirley MacLaine, Lou Jacobi, Bruce Yarnell

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Julius Caesar (1953)

Motion Picture | 2D | Black & White | 120 Minutes

Directed by | Joseph L. Mankiewicz | Cinematography by | Joseph Ruttenberg | Editing by | John D. Dunning

Starring | Louis Calhern, Marlon Brando, James Mason, John Gielgud

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