Film Print 16mm Distribution Resolution | 33 Titles
West Side Story (1961)
Directed by | Jerome Robbins, Robert Wise | Cinematography by | Daniel L. Fapp | Editing by | Thomas Stanford
My Fair Lady (1964)
Directed by | George Cukor | Cinematography by | Harry Stradling Sr. | Editing by | William H. Ziegler
Cameras | Super Panavision-70 Camera
High Noon (1952)
Directed by | Fred Zinnemann | Cinematography by | Floyd Crosby | Editing by | Elmo Williams
Cameras | Mitchell Cameras
The Harder They Come (1972)
Directed by | Perry Henzell | Cinematography by | Peter Jessop, David McDonald, Franklyn St. Juste | Editing by | Seicland Anderson, John Victor Smith, Richard White
Cameras | Canon Cameras
Léon: The Professional (1994)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux HR Zoom Lenses, Technovision Lenses
Destined (2008)
Directed by | Felix Ramos | Cinematography by | Thomas Peter Logtens | Editing by | Laura A. Garcia
Cameras | ARRI Cameras
The American Friend (1977)
Directed by | Wim Wenders | Cinematography by | Robby Müller | Editing by | Peter Przygodda
Cameras | ARRI Cameras
The Purple Rose of Cairo (1985)
Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Susan E. Morse
Cameras | Panavision Cameras
Dances with Wolves (1990)
Directed by | Kevin Costner | Cinematography by | Dean Semler | Editing by | William Hoy, Chip Masamitsu, Steve Potter, Neil Travis
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Aizea: City of the Wind (2001)
Directed by | Ione Hernández | Cinematography by | Daniel Aranyó | Editing by | Andrea Zondler
Cameras | ARRIFLEX 16SR2 Camera
A Better Place (1997)
Directed by | Vincent Pereira | Cinematography by | Ian Dudley | Editing by | Vincent Pereira
Cameras | ARRIFLEX 16SR Camera
Gorky Park (1983)
Directed by | Michael Apted | Cinematography by | Ralf D. Bode | Editing by | Dennis Virkler
Cameras | ARRI ARRIFLEX Series Cameras, J-D-C Camera
The Sound of Music (1965)
Directed by | Robert Wise | Cinematography by | Ted D. McCord | Editing by | William Reynolds
Cameras | Mitchell BNC Camera, Modern Cinema Systems MCS-70