Film Print Spherical | 212 Titles
Love & Other Drugs (2010)
Dolphin Tale (2011)
Directed by | Charles Martin Smith | Cinematography by | Karl Walter Lindenlaub | Editing by | Harvey Rosenstock
Cameras | Red One MX Camera
20th Century Boys 1: Beginning of the End (2008)
Directed by | Yukihiko Tsutsumi | Cinematography by | Satoru Karasawa | Editing by | Nobuyuki Ito
Lenses | Fujinon E Series Lenses
La source des femmes (2011)
Directed by | Radu Mihaileanu | Cinematography by | Glynn Speeckaert
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Speed Panchro Lenses, Schneider Lenses
The Man Who Wasn’t There (2001)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Prom (2011)
Directed by | Joe Nussbaum | Cinematography by | Byron Shah | Editing by | Jeffrey M. Werner
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Valkyrie (2008)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottman
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Caroline and Jackie (2012)
Directed by | Adam Christian Clark | Cinematography by | Christian Swegal | Editing by | Adam Christian Clark, Lisa Hendricks
Cameras | Red One MX Camera
A Prophet (2009)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera
Alvin and the Chipmunks: Chipwrecked (2011)
The Imaginarium of Doctor Parnassus (2009)
Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Mick Audsley
Lenses | Zeiss Ultra Prime Lenses
Easy A (2010)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Susan Littenberg
Cameras | Panavision Genesis Camera
Men in Black 3 (2012)
Directed by | Barry Sonnenfeld | Cinematography by | Bill Pope | Editing by | Don Zimmerman
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera
Grown Ups (2010)
Directed by | Dennis Dugan | Cinematography by | Theo van de Sande | Editing by | Tom Costain
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Atonement (2007)
Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Paul Tothill
Lenses | Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Fantastic Mr. Fox (2009)
Directed by | Wes Anderson | Cinematography by | Tristan Oliver | Editing by | Ralph Foster, Stephen Perkins, Andrew Weisblum
Cameras | Nikon D3 Camera
Lenses | Cooke Varotal Lenses
Sex and the City 2 (2010)
Directed by | Michael Patrick King | Cinematography by | John Thomas | Editing by | Michael Berenbaum
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Perks of Being a Wallflower (2012)
We Bought a Zoo (2011)
Directed by | Cameron Crowe | Cinematography by | Rodrigo Prieto | Editing by | Mark Livolsi
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Ultra Prime Lenses
Battle Royale (2000)
Directed by | Kinji Fukasaku | Cinematography by | Katsumi Yanagijima | Editing by | Hirohide Abe
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, Zeiss Lenses