4K DCP (Digital Cinema Package) | 75 Titles
Avatar (2009)
Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin
Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses
Als Het Leven Soms Anders Is (2024)
Directed by | Lotte Ruules | Cinematography by | Max van de Pol | Editing by | Keno Aladjuz
Cameras | Sony CineAlta VENICE Camera
Longlegs (2024)
Directed by | Osgood Perkins | Cinematography by | Andres Arochi | Editing by | Graham Fortin, Greg Ng
Lenses | ARRI Signature Prime Lenses, Cooke S4/i Lenses
Je Bent Al Hier (2024)
Directed by | Inez Eltink | Cinematography by | Jor Broeder | Editing by | Keno Aladjuz
Cameras | Sony ILME-FX3 Camera
Rups (2024)
Directed by | Susanne Hagen | Cinematography by | Jesse Post | Editing by | Keno Aladjuz
Cameras | ARRI ALEXA Mini LF Camera
Trap (2024)
Directed by | M. Night Shyamalan | Cinematography by | Sayombhu Mukdeeprom | Editing by | Noemi Katharina Preiswerk
Cameras | ARRICAM Lite (LT) Camera
Venus Effect (2024)
Directed by | Andrew Burn | Cinematography by | Andrew Burn
Cameras | Sony Cameras, Sony ILME-FX3 Camera
Lenses | Sony G Master Series Lenses
Dunkirk (2017)
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
The Pills (2021)
Directed by | Alexander Popov | Cinematography by | Olga Mitiguz, Alexander Popov | Editing by | Alexander Popov
Cameras | Red Komodo Camera
Lenses | Sigma 18-35mm f1.8 DC HSM Lens
Gaming Wall St (2022)
Directed by | Tobias Deml | Cinematography by | Tobias Deml, Olga Vazquez | Editing by | Rich Hyatt, Brian Kallies, Tom Patterson, Rachael Wax Taber, David Tillman
Cameras | Blackmagic Pocket Cinema 4K Camera
Fifth Story (2024)
Directed by | Maxance Louvety | Cinematography by | Enzo Kristensen | Editing by | Sam Kun
Lenses | Canon EF 100mm f/2.8L Macro Lens, Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 24-70 mm f2.8L II Lens, Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens, KMZ Helio 44-2 58 mm f2 Lens, KMZ Helios 44 58 mm f1.2, Laowa 24 mm f/14 2X Macro Probe Lens, Lensbaby Composer Pro II + Sweet 35 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Sigma 105mm f2.8 EX DG OS HSM Macro Lens, Sigma 35mm f1.4 DG HSM Lens, Sony FE 24mm F1.4 G Master Series Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens
The End of the Dial (2021)
Directed by | Brad Knull | Cinematography by | Elvis Ripley | Editing by | Elvis Ripley
Cameras | Sony PXW-FS9 Camera
Hail, Caesar! (2016)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Zack Snyder’s Justice League (2021)
Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Leitz Summilux-C Series Lenses
Towards the light (2022)
Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov
Cameras | Sony α7 Series Cameras
Rounded Corners (2019)
Directed by | Paul Check
Cameras | Panasonic VariCam 35
Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens
Photocopier (2021)
Directed by | Wregas Bhanuteja | Cinematography by | Gunnar Nimpuno | Editing by | Ahmad Hasan Yuniardi
Cameras | Red Monstro 8K Camera
Een Rivier om te Bevriezen (2023)
Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz
Cameras | Red Komodo Camera
Lenses | Zeiss Compact Prime CP.2 Lenses
Beau Is Afraid (2023)
Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston
Cameras | Sony CineAlta VENICE Camera
Body Melt (1993)
Directed by | Philip Brophy | Cinematography by | Ray Argall | Editing by | Bill Murphy
Cameras | ARRIFLEX 16SR2 Camera
