2K DCP (Digital Cinema Package) | 177 Titles
Transsiberian (2008)
Directed by | Brad Anderson | Cinematography by | Xavi Giménez | Editing by | Jaume Martí
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Lenses
Silverstar (2022)
Directed by | Diede in 't Veld | Cinematography by | Ties Versteegh | Editing by | Jeffrey De Vore
Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 180mm T2.8 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens, Cooke Anamorphic/i 75mm T2.3 Lens, Zeiss Master Zoom 16.5–110mm T2.6 Lens
The Thistle in the Kiss (2023)
Directed by | Craig Andrew Robertson | Cinematography by | Calum Menzies | Editing by | C.J. Lazaretti
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses, Nikon - Nikkor Lenses
The Stroller Strategy (2012)
Directed by | Clément Michel | Cinematography by | Steeven Petitteville | Editing by | Julie Dupré
Cameras | ARRI ALEXA Plus Camera
Lenses | Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Operator (2016)
Directed by | Logan Kibens | Cinematography by | Steeven Petitteville | Editing by | Logan Kibens
Cameras | ARRI AMIRA Series Cameras, Sony α7S Camera
Lenses | Zeiss Lenses
Khaita Dance (2020)
Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov
Cameras | Sony α7 II Camera
Lenses | Sony G Series Lenses
Cosmos (2019)
Directed by | Elliot Weaver, Zander Weaver | Cinematography by | Elliot Weaver, Zander Weaver | Editing by | Elliot Weaver, Zander Weaver
Cameras | Blackmagic Pocket Cinema Camera
Nécrologies (2018)
Directed by | Fabien Chombart, Guillaume Defare, Nathalie Epoque, François Message, Alexis Wawerka | Cinematography by | Fabien Chombart, François Message, Guillaume Ogier | Editing by | Hugo Aribart, Fabien Chombart, Guillaume Defare, François Message
Cameras | Sony PMW-F3 Camera, Sony α7S Camera
Lenses | Sony Prime 35 mm T2.0 PL Lens, Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens
A.I. Rising (2018)
Directed by | Lazar Bodroza | Cinematography by | Kosta Glusica | Editing by | Milena Z. Petrovic
Cameras | ARRI ALEXA XT Plus Camera
Lenses | ARRI Lenses
Killers Within (2018)
Directed by | Paul Bushe, Brian O'Neill | Cinematography by | Philip Graham
Cameras | Sony PXW-FS7 Camera
A Dream of Warsaw (2014)
Directed by | Krzysztof Magowski | Cinematography by | Maciej Magowski | Editing by | Maciej Magowski
Cotton Wool (2017)
Directed by | Nicholas Connor | Cinematography by | Alan C. McLaughlin | Editing by | Nicholas Connor, Amy Pfeil
Cameras | ARRIFLEX 435 ES Camera, Red Epic Dragon Camera
Lenses | Cooke Speed Panchro (S1) 108mm f2.0 Lens, Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens
The Narrator (2018)
Directed by | Nicholas Connor | Cinematography by | Skye Fisher, Will Jensen | Editing by | Maddie Fletcher, Anand Nagra
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lenses
Smuggling Hendrix (2018)
Directed by | Marios Piperides | Cinematography by | Christian Huck | Editing by | Stylianos Constantinou
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera
Gipsy Queen (2019)
Directed by | Hüseyin Tabak | Cinematography by | Lukas Gnaiger | Editing by | Christoph Loidl
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera
American: The Bill Hicks Story (2009)
Directed by | Matt Harlock, Paul Thomas | Editing by | Matt Harlock, Paul Thomas
Cameras | Sony PMW-350 Camera
Lenses | Fujinon Lenses
Disaster Movie (2008)
Directed by | Jason Friedberg, Aaron Seltzer | Cinematography by | Shawn Maurer | Editing by | Peck Prior
Back to the Future (1985)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt
George and George on the Lake (2018)
Directed by | Piotr Malecki | Cinematography by | Piotr Malecki | Editing by | Przemyslaw Chruscielewski, Piotr Malecki
Cameras | Canon EOS-C100 Camera
Lenses | Canon Lenses
Runner (2018)
Directed by | Keno Aladjuz, Adelheid Bos, Lex Mannens | Editing by | Keno Aladjuz
Cameras | Nikon Cameras
