1.85:1 | 1571 Titles
Norbit (2007)
Directed by | Brian Robbins | Cinematography by | Clark Mathis | Editing by | Ned Bastille
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Blades of Glory (2007)
Directed by | Josh Gordon, Will Speck | Cinematography by | Stefan Czapsky | Editing by | Richard Pearson
Rise of the Guardians (2012)
Der Abschied (2003)
Directed by | Sören Schulz | Cinematography by | Thomas Frischhut | Editing by | Sylvain Coutandin
Cameras | ARRI Cameras
Monsters University (2013)
A Good Day to Die Hard (2013)
Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Asad (2012)
Directed by | Bryan Buckley | Cinematography by | Scott Henriksen | Editing by | Chris Franklin
Cameras | Red Epic Camera
Paperman (2012)
Rebelle (2012)
Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Richard Comeau
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
The Gatekeepers (2012)
Mirror Mirror (2012)
Directed by | Tarsem Singh | Cinematography by | Brendan Galvin | Editing by | Robert Duffy, Nick Moore
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Primo Anamorphic Lenses
Fruitvale Station (2013)
Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Claudia Castello, Michael P. Shawver
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Ultra 16 Lenses
RoboCop (1987)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano, Sol Negrin | Editing by | Frank J. Urioste
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
Zero Dark Thirty (2012)
Directed by | Kathryn Bigelow | Cinematography by | Greig Fraser | Editing by | William Goldenberg, Dylan Tichenor
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Les Misérables (2012)
Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Chris Dickens, Melanie Oliver
Bullet to the Head (2012)
Directed by | Walter Hill | Cinematography by | Lloyd Ahern II | Editing by | Timothy Alverson
Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
The Summit (2012)
Directed by | Franco Fracassi, Massimo Lauria | Cinematography by | Furio Bruzzone, Pietro Silvestri | Editing by | Gustavo Alfano
Cameras | Canon EOS-1D Mark III Camera
Movie 43 (2013)
Directed by | Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk | Cinematography by | Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt | Editing by | Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras | Red One MX Camera
Mama (2013)
Directed by | Andy Muschietti | Cinematography by | Antonio Riestra | Editing by | Michele Conroy
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses