Color | 3927 Titles
Journal d’une femme de chambre (2015)
Directed by | Benoît Jacquot | Cinematography by | Romain Winding | Editing by | Julia Gregory
Cameras | Sony PMW-F55 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Une enfance (2015)
Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Isabelle Devinck
Cameras | Sony PMW-F55 Camera
Je vous souhaite d’être follement aimée (2015)
Directed by | Ounie Lecomte | Cinematography by | Caroline Champetier | Editing by | Tina Baz
Cameras | Sony PMW-F55 Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Kowa Lenses
En équilibre (2015)
Directed by | Denis Dercourt | Cinematography by | Julien Hirsch | Editing by | Pauline Gaillard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Une mère (2015)
Directed by | Christine Carrière | Cinematography by | Jeanne Lapoirie | Editing by | Martine Barraqué
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Boomerang (2015)
Wild (2014)
Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée
Cameras | ARRI ALEXA XT Camera
Under the Skin (2013)
Directed by | Jonathan Glazer | Cinematography by | Daniel Landin | Editing by | Paul Watts
Cameras | ARRI ALEXA Plus Camera, one-cam Camera
Lenses | Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses
Top Five (2014)
The Theory of Everything (2014)
Directed by | James Marsh | Cinematography by | Benoît Delhomme | Editing by | Jinx Godfrey
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera
The Tale of the Princess Kaguya (2013)
Penguins of Madagascar (2014)
The Homesman (2014)
Directed by | Tommy Lee Jones | Cinematography by | Rodrigo Prieto | Editing by | Roberto Silvi
Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses
The Imitation Game (2014)
Directed by | Morten Tyldum | Cinematography by | Oscar Faura | Editing by | William Goldenberg
Lenses | Zeiss Master Prime Lenses
The Hobbit: The Battle of the Five Armies (2014)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Ultra Prime Lenses
The Boxtrolls (2014)
Directed by | Graham Annable, Anthony Stacchi | Cinematography by | John Ashlee Prat | Editing by | Edie Ichioka
Cameras | Canon EOS-5D Mark III Camera
The Book of Life (2014)
Still Alice (2014)
Directed by | Richard Glatzer, Wash Westmoreland | Cinematography by | Denis Lenoir | Editing by | Nicolas Chaudeurge
Cameras | ARRI ALEXA Camera
Snowpiercer (2013)
Directed by | Joon-ho Bong | Cinematography by | Kyung-pyo Hong | Editing by | Steve M. Choe, Changju Kim
Selma (2014)
Directed by | Ava DuVernay | Cinematography by | Bradford Young | Editing by | Spencer Averick
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses










































































