Color | 3927 Titles
Chasing Ice (2012)
Buzkashi Boys (2012)
Adam and Dog (2012)
Directed by | Minkyu Lee
A Walk Among the Tombstones (2014)
Directed by | Scott Frank | Cinematography by | Mihai Malaimare Jr. | Editing by | Jill Savitt
Cameras | ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses
The Gambler (2014)
Directed by | Rupert Wyatt | Cinematography by | Greig Fraser | Editing by | Pete Beaudreau
Cameras | ARRI ALEXA XT Camera
Predestination (2014)
Directed by | Michael Spierig, Peter Spierig | Cinematography by | Ben Nott | Editing by | Matt Villa
Cameras | ARRI ALEXA Camera
The Maze Runner (2014)
Directed by | Wes Ball | Cinematography by | Enrique Chediak | Editing by | Dan Zimmerman
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Interview (2014)
Directed by | Evan Goldberg, Seth Rogen | Cinematography by | Brandon Trost | Editing by | Zene Baker, Evan Henke
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
La vie très privée de Monsieur Sim (2015)
Directed by | Michel Leclerc | Cinematography by | Guillaume Deffontaines | Editing by | François Gédigier
Cameras | Red Epic Dragon Camera
On voulait tout casser (2015)
Directed by | Philippe Guillard | Cinematography by | Ludovic Colbeau-Justin
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Le dernier loup (2015)
Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Reynald Bertrand
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens
My King (2015)
Directed by | Maïwenn | Cinematography by | Claire Mathon | Editing by | Simon Jacquet
Cameras | Sony PMW-F55 Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Super Speed Lenses
Warrior (2011)
Directed by | Gavin O'Connor | Cinematography by | Masanobu Takayanagi | Editing by | Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
The Lady in Number 6: Music Saved My Life (2013)
Directed by | Malcolm Clarke | Cinematography by | Kieran Crilly | Editing by | Carl Freed
Cameras | Canon EOS-5D Mark III Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Helium (2013)
Directed by | Anders Walter | Cinematography by | Rasmus Heise | Editing by | Lars Wissing
Cameras | ARRI ALEXA Camera
Child 44 (2015)
Directed by | Daniel Espinosa | Cinematography by | Oliver Wood | Editing by | Pietro Scalia, Dylan Tichenor
Cameras | ARRICAM Lite (LT) Camera
Lenses | Hawk Anamorphic Lenses
Jamais de la vie (2015)
Directed by | Pierre Jolivet | Cinematography by | Jérôme Alméras | Editing by | Yves Deschamps
Cameras | Sony PMW-F55 Camera
À 14 ans (2015)
Directed by | Hélène Zimmer | Cinematography by | Caroline Champetier | Editing by | Yann Dedet
Cameras | ARRI ALEXA Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens
